{"id":10802,"date":"2025-03-12T13:04:48","date_gmt":"2025-03-12T17:04:48","guid":{"rendered":"https:\/\/journals.law.harvard.edu\/ilj\/?p=10802"},"modified":"2025-03-12T13:34:57","modified_gmt":"2025-03-12T17:34:57","slug":"fighting-money-laundering-in-the-art-market-a-comparative-overview-of-u-s-and-swiss-law","status":"publish","type":"post","link":"https:\/\/journals.law.harvard.edu\/ilj\/2025\/03\/fighting-money-laundering-in-the-art-market-a-comparative-overview-of-u-s-and-swiss-law\/","title":{"rendered":"Fighting Money Laundering in the Art Market \u2013 A Comparative Overview of U.S. and Swiss Law"},"content":{"rendered":"<p><em>Editor\u2019s Note: This article is part of a collaboration between the Harvard Art Law Organization and the Harvard International Law Journal<\/em>.<\/p>\n<p><strong>*Enzo BASTIAN<\/strong><\/p>\n<h3><b>I.\u00a0 \u00a0Introduction<\/b><\/h3>\n<p><span style=\"font-weight: 400\">The connection between money laundering and the art market was first identified as early as the 20th century (<\/span><a href=\"https:\/\/link.springer.com\/book\/10.1007\/978-3-319-00173-9\"><span style=\"font-weight: 400\">De Sanctis<\/span><\/a><span style=\"font-weight: 400\">; <\/span><a href=\"https:\/\/www.schulthess.com\/buchshop\/detail\/ISBN-9783727219900\/Roth-Monika\/Kunst-und-Geld---Geld-und-Kunst?srsltid=AfmBOoozMVyVzjF_mUjIiogfnArOVU5CBR1qsrC5IP0hzH69NPVAlJ-c\"><span style=\"font-weight: 400\">Roth<\/span><\/a><span style=\"font-weight: 400\">). However, it is recent international scandals, such as those revealed by the Panama Papers, that have intensified regulatory scrutiny of the art market (<\/span><a href=\"https:\/\/www.schulthess.com\/buchshop\/detail\/ISBN-9783727219900\/Roth-Monika\/Kunst-und-Geld---Geld-und-Kunst?srsltid=AfmBOoozMVyVzjF_mUjIiogfnArOVU5CBR1qsrC5IP0hzH69NPVAlJ-c\"><span style=\"font-weight: 400\">Roth<\/span><\/a><span style=\"font-weight: 400\">;<\/span> <a href=\"https:\/\/archive-ouverte.unige.ch\/unige:91361\"><span style=\"font-weight: 400\">Cassani\/Heninger<\/span><\/a><span style=\"font-weight: 400\">; <\/span><a href=\"https:\/\/www.sro-sav-snv.ch\/component\/phocadownload\/category\/5-ausbildung?download=2316:03-01-beilage-geldwaeschereirisiken-im-kunsthandel\"><span style=\"font-weight: 400\">Kern<\/span><\/a><span style=\"font-weight: 400\">). In the European Union (EU), this oversight began in 2018 with the implementation of the Fifth Anti-Money Laundering Directive (<\/span><a href=\"https:\/\/eur-lex.europa.eu\/legal-content\/EN\/TXT\/?uri=celex%3A32018L0843\"><span style=\"font-weight: 400\">AMLD\u00a0V<\/span><\/a><span style=\"font-weight: 400\">), which brought art market participants under the scope of anti-money laundering\u00a0(AML) and counter-terrorism financing\u00a0(CTF) regulations. This framework was further reaffirmed in\u00a02024 with the adoption of the EU\u2019s first Anti-Money Laundering Regulation\u00a0(<\/span><a href=\"https:\/\/eur-lex.europa.eu\/eli\/reg\/2024\/1624\/oj\/eng\"><span style=\"font-weight: 400\">AMLR<\/span><\/a><span style=\"font-weight: 400\">).<\/span><\/p>\n<p><span style=\"font-weight: 400\">Similarly, in February 2023, the Financial Action Task Force (FATF) \u2014\u00a0a leading international organization in the fight against money laundering\u00a0\u2014\u00a0published a report specifically addressing the risks of money laundering in the art market (<\/span><a href=\"https:\/\/www.fatf-gafi.org\/content\/dam\/fatf-gafi\/reports\/Money-Laundering-Terrorist-Financing-Art-Antiquities-Market.pdf.coredownload.pdf\"><span style=\"font-weight: 400\">FATF, Report<\/span><\/a><span style=\"font-weight: 400\">). The FATF emphasized the vulnerability of the art market to illicit activities and urged member states to implement robust countermeasures.<\/span><\/p>\n<p><span style=\"font-weight: 400\">In the United States, the issue of money laundering within the art market resurfaced in particular in 2020 with a report from a Senate subcommittee\u00a0(<\/span><a href=\"https:\/\/www.govinfo.gov\/content\/pkg\/GOVPUB-Y4_G74_9-PURL-gpo142344\/pdf\/GOVPUB-Y4_G74_9-PURL-gpo142344.pdf\"><span style=\"font-weight: 400\">U.S. Senate, Report<\/span><\/a><span style=\"font-weight: 400\">). This was followed by a comprehensive study published by the U.S. Department of the Treasury in February\u00a02022 (<\/span><a href=\"https:\/\/home.treasury.gov\/system\/files\/136\/Treasury_Study_WoA.pdf\"><span style=\"font-weight: 400\">U.S. DOT, Report<\/span><\/a><span style=\"font-weight: 400\">). Despite these efforts, the American art market remains largely underregulated in terms of addressing money laundering risks. This regulatory gap is particularly concerning given the dominant position of the U.S. in the global art market, accounting for\u00a042% of its total value in 2023 (<\/span><a href=\"https:\/\/theartmarket.artbasel.com\/download\/The-Art-Basel-and-UBS-Art-Market-Report-2024.pdf\"><span style=\"font-weight: 400\">UBS\/Art Basel, Report 2024<\/span><\/a><span style=\"font-weight: 400\">).<\/span><\/p>\n<p><span style=\"font-weight: 400\">The lack of comprehensive regulation on this issue is not unique to the United\u00a0States. Switzerland, which represented 3% of the global art market\u2019s total value in 2023\u00a0(<\/span><a href=\"https:\/\/theartmarket.artbasel.com\/download\/The-Art-Basel-and-UBS-Art-Market-Report-2024.pdf\"><span style=\"font-weight: 400\">UBS\/Art Basel, Report 2024<\/span><\/a><span style=\"font-weight: 400\">), also faces significant regulatory deficiencies concerning money laundering in the art sector.<\/span><\/p>\n<p><span style=\"font-weight: 400\">This note aims to briefly compare the legal frameworks of these two jurisdictions with respect to combating money laundering in the art market. It begins by presenting the rules governing preventive measures\u00a0(II.) and repressive mechanisms\u00a0(III.) before concluding with some final observations\u00a0(IV.). It should be noted, however, that this note does not delve into the specific methods by which money laundering may occur in the art market, nor does it analyze the particular vulnerabilities of the sector (on these topics, see, e.g., <\/span><a href=\"https:\/\/home.treasury.gov\/system\/files\/136\/Treasury_Study_WoA.pdf\"><span style=\"font-weight: 400\">U.S. DOT, Report<\/span><\/a><span style=\"font-weight: 400\">; <\/span><a href=\"https:\/\/papers.ssrn.com\/sol3\/papers.cfm?abstract_id=4369742\"><span style=\"font-weight: 400\">Hufnagel\/King<\/span><\/a><span style=\"font-weight: 400\">; <\/span><a href=\"https:\/\/ir.lawnet.fordham.edu\/cgi\/viewcontent.cgi?article=1719&amp;context=iplj\"><span style=\"font-weight: 400\">Dagirmanjian<\/span><\/a><span style=\"font-weight: 400\">; <\/span><a href=\"https:\/\/scholarlycommons.law.case.edu\/cgi\/viewcontent.cgi?article=2692&amp;context=jil\"><span style=\"font-weight: 400\">Turner<\/span><\/a><span style=\"font-weight: 400\">; <\/span><a href=\"https:\/\/archive-ouverte.unige.ch\/unige:91361\"><span style=\"font-weight: 400\">Cassani\/Henninger<\/span><\/a><span style=\"font-weight: 400\">).<\/span><\/p>\n<h3><b>II.\u00a0 \u00a0Money Laundering Prevention<\/b><\/h3>\n<p><span style=\"font-weight: 400\">In addressing the fight against money laundering, it is essential to focus on the so-called preventive rules \u2014\u00a0those designed to preclude money laundering activities, irrespective of whether a specific instance of money laundering has occurred. These rules require regulated entities to implement internal procedures aimed at preventing money laundering offenses. Two primary categories of measures must be adopted:<\/span><\/p>\n<ul>\n<li><span style=\"font-weight: 400\">Due Diligence Measures: These measures primarily involve gathering specific information as part of establishing and maintaining business relationships. This includes identifying the client, verifying the ultimate beneficial owner, and determining the origin of funds.<\/span><\/li>\n<li><span style=\"font-weight: 400\">Reporting Obligations: When suspicious activities, including potential money laundering, are detected during the due diligence process, regulated entities are obligated to file a Suspicious Activity Report\u00a0(SAR). Such reports must be submitted promptly to the respective national financial intelligence unit. In the United States, this unit is the Financial Crimes Enforcement Network\u00a0(<\/span><a href=\"https:\/\/fincen.gov\/\"><span style=\"font-weight: 400\">FinCEN<\/span><\/a><span style=\"font-weight: 400\">), while in Switzerland, it is the Money Laundering Reporting Office Switzerland\u00a0(<\/span><a href=\"https:\/\/www.fedpol.admin.ch\/fedpol\/fr\/home\/kriminalitaet\/geldwaescherei.html\"><span style=\"font-weight: 400\">MROS<\/span><\/a><span style=\"font-weight: 400\">). These units analyze the reported information and decide whether the matter warrants escalation to law enforcement authorities for further investigation and potential prosecution.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400\">Without delving into the specific content of these preventive rules, it is critical to identify the entities subject to these obligations to assess the extent of regulatory oversight in the art market in the United States\u00a0(A) and Switzerland\u00a0(B).<\/span><\/p>\n<h4><strong>\u00a0 \u00a0 \u00a0 \u00a0 A.\u00a0 <\/strong><strong>\u00a0U.S. Law<\/strong><\/h4>\n<p><span style=\"font-weight: 400\">On May 18, 2018, U.S. Congress Representative Luke Messer introduced a bill aimed at including art dealers in the fight against money laundering under the Bank Secrecy Act (BSA) (<\/span><a href=\"https:\/\/scholarlycommons.law.case.edu\/cgi\/viewcontent.cgi?article=2692&amp;context=jil\"><span style=\"font-weight: 400\">Turner<\/span><\/a><span style=\"font-weight: 400\">). Although the bill ultimately failed to pass, Congress later amended the BSA to include the antiquities market within the scope of AML regulations (<\/span><a href=\"https:\/\/scholarlycommons.law.case.edu\/cgi\/viewcontent.cgi?article=2692&amp;context=jil\"><span style=\"font-weight: 400\">Turner<\/span><\/a><span style=\"font-weight: 400\">). On January 1, 2021, the\u00a0U.S.\u00a0Congress enacted the Anti-Money Laundering Act of 2020 as part of the William M. (Mac) Thornberry National Defense Authorization Act for Fiscal Year 2021 (NDAA) (<\/span><a href=\"https:\/\/www.govinfo.gov\/content\/pkg\/PLAW-116publ283\/pdf\/PLAW-116publ283.pdf\"><span style=\"font-weight: 400\">Pub. L. No. 116-283<\/span><\/a><span style=\"font-weight: 400\">). This legislation introduced new provisions under Section\u00a06110 of the AML Act, subjecting the antiquities trade to AML\/CTF requirements (<\/span><a href=\"https:\/\/home.treasury.gov\/system\/files\/136\/Treasury_Study_WoA.pdf\"><span style=\"font-weight: 400\">U.S. DOT, Report<\/span><\/a><span style=\"font-weight: 400\">).<\/span><\/p>\n<p><span style=\"font-weight: 400\">Following this, the Department of the Treasury was tasked with evaluating whether AML\/CTF regulations should be extended to the broader art market. This evaluation culminated in the aforementioned Treasury report (<\/span><a href=\"https:\/\/home.treasury.gov\/system\/files\/136\/Treasury_Study_WoA.pdf\"><span style=\"font-weight: 400\">U.S. DOT, Report<\/span><\/a><span style=\"font-weight: 400\">).<\/span><\/p>\n<p><span style=\"font-weight: 400\">In parallel, another legislative initiative \u2014 the <\/span><a href=\"https:\/\/www.congress.gov\/bill\/117th-congress\/house-bill\/5525\"><span style=\"font-weight: 400\">ENABLERS Act<\/span><\/a><span style=\"font-weight: 400\"> \u2014 was proposed in\u00a02021, seeking to fully subject the art market to AML\/CTF regulations. Although the bill passed in the House of Representatives, it failed to secure approval in the Senate (<\/span><a href=\"https:\/\/scholarlycommons.law.case.edu\/cgi\/viewcontent.cgi?article=2692&amp;context=jil\"><span style=\"font-weight: 400\">Turner<\/span><\/a><span style=\"font-weight: 400\">).<\/span><\/p>\n<p><span style=\"font-weight: 400\">For now, AML\/CTF regulations in the United States remain applicable primarily to financial intermediaries, such as banks, and do not seem to impose obligations on art market participants (<\/span><a href=\"https:\/\/home.treasury.gov\/system\/files\/136\/Treasury_Study_WoA.pdf\"><span style=\"font-weight: 400\">U.S. DOT, Report<\/span><\/a><span style=\"font-weight: 400\">; <\/span><a href=\"https:\/\/ir.lawnet.fordham.edu\/cgi\/viewcontent.cgi?article=1719&amp;context=iplj\"><span style=\"font-weight: 400\">Dagirmanjian<\/span><\/a><span style=\"font-weight: 400\">; <\/span><a href=\"https:\/\/scholarlycommons.law.case.edu\/cgi\/viewcontent.cgi?article=2692&amp;context=jil\"><span style=\"font-weight: 400\">Turner<\/span><\/a><span style=\"font-weight: 400\">). With the finalization of the implementing regulations pending (<\/span><a href=\"https:\/\/drive.google.com\/file\/d\/1IM5Fa13AohWex6IZaTxMqt6PjfkRdzuC\/view\"><span style=\"font-weight: 400\">Center for Art Law, USA AML Regulation<\/span><\/a><span style=\"font-weight: 400\">), this regulatory gap persists.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Nevertheless, art market actors may still encounter AML\/CTF obligations. Specifically, any person engaged in a trade or business in the United States is required to file a report if they receive more than USD\u00a010,000 in cash, coins, or certain monetary instruments, whether in a single transaction or in two or more related transactions (<\/span><a href=\"https:\/\/home.treasury.gov\/system\/files\/136\/Treasury_Study_WoA.pdf\"><span style=\"font-weight: 400\">U.S. DOT, Report<\/span><\/a><span style=\"font-weight: 400\">).<\/span><\/p>\n<p><span style=\"font-weight: 400\">Despite this, such measures are barely sufficient. The art market and its participants remain largely unregulated with respect to money laundering and terrorist financing risks.<\/span><\/p>\n<h4><strong>\u00a0 \u00a0 \u00a0 \u00a0 B.\u00a0 \u00a0Swiss Law<\/strong><\/h4>\n<p><span style=\"font-weight: 400\">Under The Swiss law, the regulatory framework is broadly similar to that of the United\u00a0States. Preventive AML measures under the Anti-Money Laundering Act\u00a0(<\/span><a href=\"https:\/\/www.fedlex.admin.ch\/eli\/cc\/1998\/892_892_892\/en\"><span style=\"font-weight: 400\">AMLA<\/span><\/a><span style=\"font-weight: 400\">) primarily apply to financial intermediaries, such as banks (<\/span><a href=\"https:\/\/www.fedlex.admin.ch\/eli\/cc\/1998\/892_892_892\/en#art_2\"><span style=\"font-weight: 400\">Art.\u00a02 AMLA<\/span><\/a><span style=\"font-weight: 400\">). Art dealers are generally not classified as financial intermediaries and are therefore not directly subject to these preventive regulations (<\/span><a href=\"https:\/\/archive-ouverte.unige.ch\/unige:91361\"><span style=\"font-weight: 400\">Cassani\/Henninger<\/span><\/a><span style=\"font-weight: 400\">; <\/span><a href=\"https:\/\/www.sro-sav-snv.ch\/component\/phocadownload\/category\/5-ausbildung?download=2316:03-01-beilage-geldwaeschereirisiken-im-kunsthandel\"><span style=\"font-weight: 400\">Kern<\/span><\/a><span style=\"font-weight: 400\">).<\/span><\/p>\n<p><span style=\"font-weight: 400\">In certain circumstances, art dealers may be considered financial intermediaries if they provide financial services \u2014 such as loans \u2014 under <\/span><a href=\"https:\/\/www.fedlex.admin.ch\/eli\/cc\/1998\/892_892_892\/en#art_2\"><span style=\"font-weight: 400\">Art. 2 para. 3 AMLA<\/span><\/a><span style=\"font-weight: 400\">. However, this classification applies only if the financial service is not connected to the execution of another principal contract (e.g., the sale of artworks). Otherwise, the activity falls outside the scope of the AMLA, as specified in <\/span><a href=\"https:\/\/www.fedlex.admin.ch\/eli\/cc\/2015\/791\/en#art_3\"><span style=\"font-weight: 400\">Art. 3 let. f<\/span><\/a><span style=\"font-weight: 400\"> of the <\/span><a href=\"https:\/\/www.fedlex.admin.ch\/eli\/cc\/2015\/791\/en#art_3\"><span style=\"font-weight: 400\">Anti-Money Laundering Ordinance<\/span><\/a><span style=\"font-weight: 400\"> (<\/span><a href=\"https:\/\/archive-ouverte.unige.ch\/unige:91361\"><span style=\"font-weight: 400\">Cassani\/Henninger<\/span><\/a><span style=\"font-weight: 400\">). Consequently, Art Secured Lending activities do not necessarily fall within the scope of AML regulations in Switzerland, as they are generally tied to a principal contract (e.g., the sale of artworks) when carried out by an art dealer or an auction house (on this topic, see <\/span><a href=\"https:\/\/jusletter.weblaw.ch\/juslissues\/2024\/1210\/art-as-an-investment_d0724b7def.html__ONCE&amp;login=false\"><span style=\"font-weight: 400\">Tistounet<\/span><\/a><span style=\"font-weight: 400\">).<\/span><\/p>\n<p><span style=\"font-weight: 400\">Nonetheless, art dealers in Switzerland may fall within the scope of AMLA in specific circumstances \u2014 namely, when they accept cash payments exceeding CHF\u00a0100,000 as part of a transaction (<\/span><a href=\"https:\/\/www.fedlex.admin.ch\/eli\/cc\/1998\/892_892_892\/en#art_8_a\"><span style=\"font-weight: 400\">Art. 8a para 1 AMLA<\/span><\/a><span style=\"font-weight: 400\">). This threshold, however, is relatively high compared to similar regulations in other jurisdictions, including the United States.<\/span><\/p>\n<p><span style=\"font-weight: 400\">As a consequence, the Swiss art market, like its U.S. counterpart, remains largely exempt from comprehensive regulations aimed at preventing money laundering or terrorist financing.<\/span><\/p>\n<h3><b>III.\u00a0 \u00a0Money Laundering Repression<\/b><\/h3>\n<p><span style=\"font-weight: 400\">In addition to preventive rules, most jurisdictions have also enacted measures to criminalize money laundering. These repressive regulations are designed to sanction individuals who actively engage in money laundering activities. Unlike preventive measures, these provisions are sector-agnostic and can, therefore, be applied to actors in the art market as well (<\/span><a href=\"https:\/\/ir.lawnet.fordham.edu\/cgi\/viewcontent.cgi?article=1719&amp;context=iplj\"><span style=\"font-weight: 400\">Dagirmanjian<\/span><\/a><span style=\"font-weight: 400\">; <\/span><a href=\"https:\/\/archive-ouverte.unige.ch\/unige:91361\"><span style=\"font-weight: 400\">Cassani\/Henninger<\/span><\/a><span style=\"font-weight: 400\">).<\/span><\/p>\n<p><span style=\"font-weight: 400\">To understand the scope and application of these measures, it is essential to briefly examine the legal frameworks in the United States\u00a0(A.) and Switzerland\u00a0(B.).<\/span><\/p>\n<h4><b><strong>\u00a0 \u00a0 \u00a0 \u00a0 A<\/strong>.\u00a0 \u00a0U.S. Law<\/b><\/h4>\n<p><span style=\"font-weight: 400\">In the United States, the Money Laundering Control Act (MLCA), codified under Sections\u00a01956 and subsequent provisions of 18\u00a0U.S.C., criminalizes money laundering by categorizing such acts into four distinct types: promotional, concealment, structuring, and tax evasion (<\/span><a href=\"https:\/\/ir.lawnet.fordham.edu\/cgi\/viewcontent.cgi?article=1719&amp;context=iplj\"><span style=\"font-weight: 400\">Dagirmanjian<\/span><\/a><span style=\"font-weight: 400\">).<\/span><\/p>\n<p><span style=\"font-weight: 400\">Some of these offenses may have direct implications for the art market and could expose actors within the sector to criminal liability (<\/span><a href=\"https:\/\/ir.lawnet.fordham.edu\/cgi\/viewcontent.cgi?article=1719&amp;context=iplj\"><span style=\"font-weight: 400\">Dagirmanjian<\/span><\/a><span style=\"font-weight: 400\">). Of particular relevance is Sec.\u00a018 U.S.C. \u00a7\u00a01957, which penalizes individuals who \u201c<\/span><i><span style=\"font-weight: 400\">knowingly engage in a monetary transaction involving more than USD 10,000 in criminally derived property.<\/span><\/i><span style=\"font-weight: 400\">\u201d This provision is especially significant in cases where illicitly obtained funds are used to purchase artworks (e.g., cash obtained from drug trafficking), thereby connecting money laundering to the art market.<\/span><\/p>\n<h4><b><strong>\u00a0 \u00a0 \u00a0 \u00a0 B<\/strong>.\u00a0 \u00a0Swiss Law<\/b><\/h4>\n<p><span style=\"font-weight: 400\">In Switzerland, unlike in the United States, money laundering is criminalized through a single offense. This is enshrined in <\/span><a href=\"https:\/\/www.fedlex.admin.ch\/eli\/cc\/54\/757_781_799\/en#art_305_bis\"><span style=\"font-weight: 400\">Art. 305bis<\/span><\/a> <span style=\"font-weight: 400\">of the Swiss Criminal Code (<\/span><a href=\"https:\/\/www.fedlex.admin.ch\/eli\/cc\/54\/757_781_799\/en\"><span style=\"font-weight: 400\">SCC<\/span><\/a><span style=\"font-weight: 400\">), which penalizes acts intended to conceal the illicit origin of assets. These acts may include traditional money laundering activities, such as using proceeds from drug trafficking to purchase artworks (<\/span><a href=\"https:\/\/archive-ouverte.unige.ch\/unige:91361\"><span style=\"font-weight: 400\">Cassani\/Henninger<\/span><\/a><span style=\"font-weight: 400\">; <\/span><a href=\"https:\/\/www.sro-sav-snv.ch\/component\/phocadownload\/category\/5-ausbildung?download=2316:03-01-beilage-geldwaeschereirisiken-im-kunsthandel\"><span style=\"font-weight: 400\">Kern<\/span><\/a><span style=\"font-weight: 400\">). The provision also extends to cases of &#8220;laundering of provenance,&#8221; where the objective is to give a lawful appearance to cultural goods looted abroad (on this topic, see <\/span><a href=\"https:\/\/www.unil.ch\/files\/live\/sites\/cedidac\/files\/Bulletins\/Bulletin_no_94.pdf\"><span style=\"font-weight: 400\">Bastian<\/span><\/a><span style=\"font-weight: 400\">).<\/span><\/p>\n<p><span style=\"font-weight: 400\">Additionally, Swiss law establishes a related offense that only applies to financial intermediaries subject to due diligence obligations under the AMLA (e.g., banks). Under <\/span><a href=\"https:\/\/www.fedlex.admin.ch\/eli\/cc\/54\/757_781_799\/en#art_305_ter\"><span style=\"font-weight: 400\">Art.\u00a0305ter, para\u00a01\u00a0SCC<\/span><\/a><span style=\"font-weight: 400\">, financial intermediaries may face criminal prosecution if they fail to properly identify the beneficial owner or knowingly provide false information about the beneficial owner in the context of a business relationship.<\/span><\/p>\n<h3><b>IV.\u00a0 \u00a0Conclusion<\/b><\/h3>\n<p><span style=\"font-weight: 400\">The American and Swiss systems currently exhibit significant similarities, as the art markets in both countries remain largely unregulated with respect to AML\/CTF measures. Actors in the art market are not subject to preventive AML rules, despite international standards such as those outlined in the EU (<\/span><a href=\"https:\/\/eur-lex.europa.eu\/eli\/reg\/2024\/1624\/oj\/eng\"><span style=\"font-weight: 400\">Art. 3(3)(i) &amp; (j) AMLR<\/span><\/a><span style=\"font-weight: 400\">) or the recommendations of the FATF. Given the art market\u2019s inherent vulnerability to money laundering, it may be time for both nations to adapt their regulatory frameworks.<\/span><\/p>\n<p><span style=\"font-weight: 400\">In the United States, the FinCEN is progressing slowly but continues to evaluate the expansion of AML regulations to encompass the art market (<\/span><a href=\"https:\/\/drive.google.com\/file\/d\/1IM5Fa13AohWex6IZaTxMqt6PjfkRdzuC\/view\"><span style=\"font-weight: 400\">Center for Art Law, USA AML Regulation<\/span><\/a><span style=\"font-weight: 400\">). While some scholars advocate for such reforms (<\/span><a href=\"https:\/\/ir.lawnet.fordham.edu\/cgi\/viewcontent.cgi?article=1719&amp;context=iplj\"><span style=\"font-weight: 400\">Dagirmanjian<\/span><\/a><span style=\"font-weight: 400\">; <\/span><a href=\"https:\/\/scholarlycommons.law.case.edu\/cgi\/viewcontent.cgi?article=2692&amp;context=jil\"><span style=\"font-weight: 400\">Turner<\/span><\/a><span style=\"font-weight: 400\">), others remain critical (<\/span><a href=\"https:\/\/scholarship.law.vanderbilt.edu\/cgi\/viewcontent.cgi?article=1067&amp;context=vjtl\"><span style=\"font-weight: 400\">Burroughs<\/span><\/a><span style=\"font-weight: 400\">).<\/span><\/p>\n<p><span style=\"font-weight: 400\">Similarly, in Switzerland, a parliamentary motion submitted in 2022 proposes extending the AMLA to include art dealers (<\/span><a href=\"https:\/\/www.parlament.ch\/fr\/ratsbetrieb\/suche-curia-vista\/geschaeft?AffairId=20223104\"><span style=\"font-weight: 400\">Motion Pult CN 22.3104<\/span><\/a><span style=\"font-weight: 400\">). Since October 2024, the motion is under review by a commission of the Council of States. This indicates that Swiss law could undergo reform in the coming years. Legal scholars have also addressed this issue, with a majority, including the author of this note, supporting the inclusion of art dealers under the AMLA (<\/span><a href=\"https:\/\/www.schulthess.com\/buchshop\/detail\/ISBN-9783727219900\/Roth-Monika\/Kunst-und-Geld---Geld-und-Kunst?srsltid=AfmBOoozMVyVzjF_mUjIiogfnArOVU5CBR1qsrC5IP0hzH69NPVAlJ-c\"><span style=\"font-weight: 400\">Roth<\/span><\/a><span style=\"font-weight: 400\">; <\/span><a href=\"https:\/\/archive-ouverte.unige.ch\/unige:91361\"><span style=\"font-weight: 400\">Cassani\/Henninger<\/span><\/a><span style=\"font-weight: 400\">; <\/span><a href=\"https:\/\/www.sro-sav-snv.ch\/component\/phocadownload\/category\/5-ausbildung?download=2316:03-01-beilage-geldwaeschereirisiken-im-kunsthandel\"><span style=\"font-weight: 400\">Kern<\/span><\/a><span style=\"font-weight: 400\">). However, this view is also not without opposition\u00a0(<\/span><a href=\"https:\/\/toc.library.ethz.ch\/objects\/pdf\/z01_978-3-7255-6615-0_01.pdf\"><span style=\"font-weight: 400\">Ryser<\/span><\/a><span style=\"font-weight: 400\">).<\/span><\/p>\n<p><span style=\"font-weight: 400\">For the time being, self-regulation appears to be the only practical solution. Several recommendations have been issued by organizations such as the Basel Institute on Governance (<\/span><a href=\"https:\/\/baselgovernance.org\/sites\/default\/files\/2019-01\/Basel%20Art%20Trade%20AML%20Principles%202018.pdf\"><span style=\"font-weight: 400\">Basel Art Trade AML Principles<\/span><\/a><span style=\"font-weight: 400\">) and the Responsible Art Market (RAM) initiative (<\/span><a href=\"https:\/\/www.responsibleartmarket.org\/guidelines\/guidelines-on-combatting-money-laundering-and-terrorist-financing\/#downloads\"><span style=\"font-weight: 400\">RAM AML Guidelines<\/span><\/a><span style=\"font-weight: 400\">). However, the non-binding nature of these recommendations limits their effectiveness. They fail to create a level playing field among actors within the same sector or to ensure uniform rules. This lack of uniformity is unfortunate, as standardized regulations would significantly enhance international cooperation, a critical factor in combating money laundering.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Furthermore, none of these recommendations or ongoing parliamentary efforts seem to address the issue of Non-Fungible Tokens (NFTs). Despite their significant presence in the art market, NFTs present considerable vulnerabilities to money laundering (<\/span><a href=\"https:\/\/www.fatf-gafi.org\/content\/dam\/fatf-gafi\/reports\/Money-Laundering-Terrorist-Financing-Art-Antiquities-Market.pdf.coredownload.pdf\"><span style=\"font-weight: 400\">FATF, Report<\/span><\/a><span style=\"font-weight: 400\">; <\/span><a href=\"https:\/\/papers.ssrn.com\/sol3\/papers.cfm?abstract_id=4370145\"><span style=\"font-weight: 400\">Hufnagel\/King<\/span><\/a><span style=\"font-weight: 400\">; <\/span><a href=\"https:\/\/suigeneris-verlag.ch\/img\/uploads\/articles\/oa_pdf-224-1673864649.pdf\"><span style=\"font-weight: 400\">Bastian<\/span><\/a><span style=\"font-weight: 400\">). The omission of this digital asset class underscores a critical gap in current regulatory initiatives. Within the\u00a0EU, despite the adoption of the new AMLR, NFTs are likely not covered by these rules since they are not considered as crypto assets under the new MICA Regulation (<\/span><a href=\"https:\/\/eur-lex.europa.eu\/eli\/reg\/2024\/1624\/oj\/eng\"><span style=\"font-weight: 400\">art.\u00a02 (1)(7) AMLR<\/span><\/a><span style=\"font-weight: 400\">; <\/span><a href=\"https:\/\/eur-lex.europa.eu\/eli\/reg\/2023\/1114\/oj\/eng\"><span style=\"font-weight: 400\">consid.\u00a010 MICAR<\/span><\/a><span style=\"font-weight: 400\">; <\/span><a href=\"https:\/\/eur-lex.europa.eu\/eli\/reg\/2023\/1114\/oj\/eng\"><span style=\"font-weight: 400\">art. 2(3) MICAR<\/span><\/a><span style=\"font-weight: 400\">). This situation is, however, likely to evolve as the European Commission is tasked with presenting, by December\u00a030, 2024, a specific proposal to provide a legal framework addressing the issue of NFTs\u00a0(<\/span><a href=\"https:\/\/www.esma.europa.eu\/sites\/default\/files\/2024-01\/ESMA75-453128700-52_MiCA_Consultation_Paper_-_Guidelines_on_the_qualification_of_crypto-assets_as_financial_instruments.pdf\"><span style=\"font-weight: 400\">ESMA<\/span><\/a><span style=\"font-weight: 400\">).<\/span><\/p>\n<p>[hr gap=&#8221;1&#8243;]<\/p>\n<p><strong>* <\/strong><i><strong>Enzo BASTIAN<\/strong> is a doctoral candidate at the University of Lausanne (Switzerland). He is writing his doctoral dissertation on the topic of money laundering in the Swiss art market under the supervision of Professors Carlo Lombardini and Marc-Andr\u00e9 Renold. Holding a Master&#8217;s degree in law and a Certificate of Advanced Studies (CAS) in International Business Disputes from the same university, Enzo BASTIAN is the author of several contributions and insights in banking and financial law. In parallel, he is also a graduate assistant at the CEDIDAC of the University of Lausanne.<\/i><\/p>\n<p><span style=\"color: #800000\"><a style=\"color: #800000\" href=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/7\/70\/Wilhelm_Marstrand%2C_Scene_from_an_auction%2C_1835%2C_0181NMK%2C_Nivaagaards_Malerisamling.jpg\">Cover image credit\u00a0<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Enzo BASTIAN<\/p>\n","protected":false},"author":96,"featured_media":10809,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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