Written by Lauryn Wang
Kim Miner (HLS ‘15), Chief Legal Officer of the Boston Legacy FC, and Mandy Petrillo, Assistant General Counsel of the Red Sox, offered insights into pursuing a career in in-house legal work in the sports industry.
Written by Rachel Barkin
Emma Raviv, an HLS alum and current in-house litigator at Spotify reflected on her time in law school and spoke to students about preparing for a career in copyright litigation and in-house work.
Written by Rachel Barkin
The release of Sora 2 and the Sora app raises new questions about copyright protection and fair use in the age of artificial intelligence.
Written by Lauryn Wang
The WNBA faces potential antitrust violations for interference with the sale of the Connecticut Sun.
Written by Rachel Barkin
Jim Cobery and Kenny Nelson, legal counsel at the Kraft Group & Affiliates, the parent company of the New England Patriots, spoke with Harvard Law students about their legal work.
Written by Kitty Luo
Transactional entertainment attorney, Jonathan Handel, gave advice to students on becoming an entertainment lawyer at a lunch event on Tuesday, September 30.
Written by Robert Luther III & Steven C. Estep
How often do we hear the phrase: “They just don’t have the goaltending to make a deep run in the playoffs”? For some teams that may be true. But is elite goaltending really necessary to contend for the Stanley Cup?
Written by Priya Setty
Netflix’s dramatization of the Menendez brothers case raises serious questions about how the law fails to protect public figures from damaging misrepresentations in true crime media.
This Symposium took place from Tuesday, April 1 to Thursday, April 3, and comprised of a series of events about the legal disputes shaping today’s entertainment industry told through some of its most influential lawyers.
Written by Stuart Irvin, Xing Cheng (邢成), Philip Chang (장필립), Grace D. Wiley[1] Download the article here: What Happened to the Olympic Esports Games? If IP is the Problem, We Can Fix It. At the 142nd Session of the International Olympic Committee (“IOC”) held in Paris in July 2024, the members voted unanimously to create
Written by Alec Winshel. The Copyright Office issued a determination that a piece of artwork created with AI contained sufficient human authorship to support a copyright registration and, in doing so, has shed greater light on how potential applicants can gain copyright registration while using AI in their future work. The United States Copyright Office
