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The Charming Betsy Canon: Time to Ride the Tide of Loper Bright

Michael Jacobson* & Stephen Finan**

     The Charming Betsy canon of interpretation, articulated by the U.S. Supreme Court in 1804, states that “[a]n act of Congress ought never to be construed to violate the law of nations if any other possible construction remains.”  The Supreme Court has never caveated or altered this longstanding canon of interpretation.  And yet, various court decisions in recent years have taken different approaches to interpreting and applying this canon in cases involving international law. 

     In the past, courts’ potential application of the Charming Betsy canon in cases arising out of government agency action may have come into conflict with the Supreme Court’s standard of deference to agencies’ interpretations of ambiguous statutes under Chevron v. NRDC.  However, last year the Supreme Court overturned Chevron deference and replaced it with a new standard in Loper Bright Enterprises v. Raimondo.  Now, “[c]ourts must exercise their independent judgment in deciding whether an agency has acted within its statutory authority” irrespective of an agency’s interpretation.  The Supreme Court explained that lower courts shall read an ambiguous statute “[as] if no agency were involved” and determine “the best reading” “after applying all relevant interpretive tools.”11 The Court held that “courts need not and under the [Administrative Procedure Act] may not defer to an agency interpretation of the law simply because a statute is ambiguous.” 

     This sea change in administrative law compels courts to stop deferring to strained agency interpretations of law when a better reading exists.  Courts are now likely to lean more on traditional forms of statutory interpretation.  In doing so, the Charming Betsy canon elevates the importance of reading statutes in a manner that is in accordance with relevant international law as courts determine the best reading of a statute.

     In this article, we explore the future of the Charming Betsy canon of interpretation in a post-Loper Bright world.  This issue is particularly timely as the Trump Administration has announced new trade-restrictive actions relying upon novel legal authorities.  The new administration imposed tariffs on Canada and Mexico (following a 30-day pause) for the stated purpose of stemming immigration and fentanyl flows into the United States before removing and delaying those tariffs again, imposed additional new tariffs on China for the same reason, imposed expanded tariffs on imported steel and aluminum, and took initial steps to implement “reciprocal” tariffs to “correct longstanding imbalances in international trade and ensure fairness across the board.” 

     Trade-restrictive measures are commonly implemented through agency action, and thus reviewing courts may be applying the Loper Bright standard of statutory interpretation.  In doing so, the courts may need to assess how best to apply the Charming Betsy canon of interpretation as they seek the best meaning of a statute.    

     This article proceeds as follows.  First, we provide a brief summary of the Charming Betsy canon of interpretation, including its scope and usefulness to courts’ statutory interpretation.  Next, we examine different instances where courts have recently applied (or not applied) the Charming Betsy canon under various types of international law.  Then, we look back to the Solar Safeguards case involving imports from Canada, which arose out of one of the first trade-restrictive measures imposed by the Trump Administration, in early 2018.  This case provides an example of a court’s decision to disregard Charming Betsy arguments and uphold the government’s action, despite on-point international law that disallowed such action.  Indeed, an international tribunal later read the relevant international law in a manner that led to a reversal of the underlying agency decision.  We then look ahead to Charming Betsy’s increased pertinence following the Loper Bright decision.  Finally, we set forth a step-by-step guide to applying the Charming Betsy canon that courts should consider employing in a post-Chevron world.

I. A Summary of the Charming Betsy Canon of Interpretation

     The Charming Betsy canon of interpretation states that “[a]n act of Congress ought never to be construed to violate the law of nations if any other possible construction remains.”  There are a few key elements to this canon of interpretation for courts to consider when applying it.

     Crucially, this canon only applies when there is a “law of nations”—or international law—that is relevant to the case.  Although the Supremacy Clause of the Constitution elevates treaties as the “supreme Law of the Land” on par with federal statutes22 In fact, as explained by Sec. 115 of the U.S. Foreign Relations Restatement, treaties “supersede[] as domestic law any inconsistent preexisting provision of a law or treaty of the United States.” (and enacted with signature of the President and agreement of two-thirds of the Senate), other sources of international law are equally applicable under the Charming Betsy canon as “laws of nations.”33 See, e.g.Trans World Airlines, Inc. v. Franklin Mint Corp., 466 U.S. 243, 252 (1984) (applying the Charming Betsy canon to avoid conflict with a treaty); Fed. Mogul Corp. v. United States, 63 F.3d 1572, 1581-82 (Fed. Cir. 1995) (applying the Charming Betsy canon to avoid conflict with a Congressional-Executive agreement); Weinberger v. Rossi, 456 U.S. 25, 32 (1982) (applying the Charming Betsy canon to avoid conflict with an executive agreement concluded without congressional approval). One important category of international agreements that applies under Charming Betsy are trade agreements which are enacted under U.S. law as Congressional-Executive Agreements.  These agreements are signed by the President and voted into law by both the House and the Senate.  Prominent trade agreements enacted as Congressional-Executive Agreements include, for example, the North American Free Trade Agreement (“NAFTA”) and the subsequent United States-Mexico-Canada Agreement (“USMCA”) between the United States, Canada, and Mexico, as well as the Agreements of the World Trade Organization (“WTO”).  There are also other sources of international law that might be relevant to a Charming Betsy analysis and that require less involvement of Congress, such as Executive Agreements (which do not require congressional action) and customary international law.  For example, the Vienna Convention on the Law of Treaties has never been enacted by the United States but is a widely accepted source of customary international law that is used to interpret treaties and may be relevant in the Charming Betsy context.  

     Additionally, the Charming Betsy canon advises courts to avoid conflict between U.S. federal law and international law wherever possible.  The 1988 U.S. Foreign Relations Restatement Section 115 explains the need to “reconcile[]” acts of Congress with international law and that courts “will endeavor to construe them so as to give effect to both.”44 Restatement (Third) of the Foreign Relations Law of the United States, § 114 (1987). Courts are tasked to read international law in congruence with U.S. law.  The best reading of a statute is one that does not violate international law. 

     It is possible that there are rare instances in which no possible construction of a statute allows it to be read in congruence with international law.  For example, if a statute is clear—previously known as Chevron “Step 1”—then courts may choose to apply that clear meaning irrespective of international law.55 “[A]n unambiguous statute will prevail over a conflicting international obligation.” Timken Company v. United States, 240 F. Supp. 2d 1228, 1240 (Ct. Int’l Trade 2002) (citing Fed.Mogul Corp. v. United States, 63 F.3d 1572, 1581 (Fed. Cir. 1995)); see also Corus Staal BV. v. United States, 593 F. Supp. 2d 1373, 1385 (Ct. Int’l Trade 2008) (holding that Charming Betsy did not apply in the case because there were clear statutory requirements and Federal Circuit precedent). In addition, statutes could expressly provide for a means of interpretation or context to avoid ambiguity.  However, where statutes are ambiguous, Charming Betsy should apply.66 The Timken court notes “an ambiguous statute should be interpreted so as to avoid conflict with international obligations.”

II. Although courts generally apply the Charming Betsy canon, different federal judges have taken divergent approaches to how they apply it.

     More than 200 years after the Supreme Court’s decision in Charming Betsy, courts across the federal system continue to find this interpretative canon applicable.77 See, e.g., Weinberger v. Rossi, 456 U.S. 25, 32 (1982); Fed. Mogul Corp. v. United States., 63 F.3d 1572, 1575 (Fed. Cir. 1995); Allegheny Ludlum Corp. v. United States, 367 F.3d 1339 (Fed. Cir. 2004). “[D]eeply embedded in American jurisprudence,” Charming Betsy is “a rule of statutory construction sustained by an unbroken line of authority.”  As the Supreme Court noted in 1988, Charming Betsy “has for so long been applied by this Court that it is beyond debate.”  In fact, Justice Neil Gorsuch cited approvingly to the doctrine in a 2023 dissenting opinion.  Similarly, Justice Amy Coney Barrett expressed approval of the doctrine prior to taking the bench as a helpful tool for textualist jurists.88 Justice Barrett concluded that “[a]t least when a substantive canon promotes constitutional values, the judicial power to safeguard the Constitution can be understood to qualify the duty that otherwise flows from the principle of legislative supremacy.”  

     Despite widespread acceptance of this canon, courts have not applied the canon in a uniform manner.  Below we review the various ways the doctrine has been interpreted and applied by the courts. 

a. Federal courts regularly apply Charming Betsy in cases not involving international trade agreements.

     Judges readily apply Charming Betsy to interpret statutes in accordance with international obligations, particularly in non-trade contexts.  If a statute is ambiguous, courts generally employ Charming Betsy as an interpretative tool to determine the best meaning of the statute.  

     For example, in Weinberger v. Rossi, the Supreme Court reviewed a statute that prohibited employment discrimination against U.S. citizens at overseas military installations, “unless such discrimination [was] permitted by a ‘treaty’ between the United States and the host country.”  At the time of the statute’s passing, the U.S. had an existing agreement with the Philippines to provide Filipino citizens with preferential treatment for employment.  The question before the Supreme Court was whether the term “treaty” should be understood as it appears in the Constitution or whether it also encompasses executive agreements like the Base Labor Agreement between the U.S. and Philippines.  The Supreme Court ultimately applied the Charming Betsy canon to interpret the statute in a manner that avoided conflict with U.S. international obligations under the executive agreement.

     There are several other examples.  In a case involving international tax law, the Court of Federal Claims applied the Charming Betsy canon to “to interpret [a domestic statute] not to conflict with the provision of a foreign tax credit under paragraph 2(b) of Article 24 of the 1994 Treaty.”  In a case involving intellectual property rights, Fox Television Stations, Inc. v. Aereokiller, LLC, the Ninth Circuit applied the Charming Betsy canon to conclude that interpreting § 111 of the Copyright Act so as to include Internet-based retransmission services would risk putting the U.S. in violation of certain treaty obligations.  And, in a case involving terrorism and UN agreements, United States v. Palestine Liberation Organization, the U.S. District Court for the Southern District of New York strained to find an unambiguous statute ambiguous, applying the Charming Betsy canon to interpret the statute in a manner that did not conflict with U.S. international obligations.99 The Court found the text of the Anti-Terrorism Act of 1987 ambiguous where it made it illegal for the Palestinian Liberation Organization, “notwithstanding any provision of law to the contrary, to establish or maintain an office, headquarters, premises, or other facilities or establishments within the jurisdiction of the United States” and applying Charming Betsy as it conflicts with a UN Treaty providing that “federal, state or local authorities of the United States [would] not impose any impediments to transit to or from the headquarters district by the United Nations . . . on official business.” The Court unequivocally stated: “this court is under a duty to interpret statutes in a manner consonant with existing treaty obligations.” 

     Clear and consistent application of this canon appears to be uncontroversial and consistent when trade agreements are not the source of international law.

b. Charming Betsy is not useful where the statute is clear.

     Most courts also agree as to when Charming Betsy does not apply—where the statute is clear, international law will not override that clear meaning.1010 Comm. Overseeing Action for Lumber Int’l Trade Investigations of Negotiations v. United States, 483 F.Supp.3d 1253 (Ct. Int’l Trade 2020) (citing Chevron, U.S.A, Inc. v. Natural Res. Def. Council, Inc. 467 U.S. 837, 842-43 (1984) (“[w]hen, as here, the court concludes that Congress’s intent is clear, ‘that is the end of the matter’ [] the court ‘must give effect to the unambiguously expressed intent of Congress.’”); Government of Quebec v. United States, 105 F.4th 1359 (Fed. Cir. 2024) (choosing not to apply Charming Betsy where the statute was clear); Nippon Steel Corp. v. United States, 732 F. Supp. 3d 1353 (Ct. Int’l Trade 2024) (choosing not to apply Charming Betsy where “Congress has spoken clearly.”). In Nippon Steel Corp. v. United States, the U.S. Court of International Trade (“CIT”) concluded that “[t]he Charming Betsy canon is a canon of statutory interpretation—not a matter of constitutional law—and therefore it is ‘not [a] mandatory rule[].’ Congress is free to override the canon via legislation.”  Nippon Steel’s arguments failed because Congress had spoken.  Similarly, in Government of Quebec v. United States, the U.S. Court of Appeals for the Federal Circuit (“Federal Circuit”) concluded that the statutory language is clear and therefore, Charming Betsy was inapplicable.  This rule of application stems from the understanding that Charming Betsyacts as a rebuttable presumption that Congress did not intend to place the United States in breach of international law” and to rebut that presumption, Congress must provide an “affirmative expression of congressional intent.”  Where congressional intent to diverge from international obligations is clear, Congress has rebutted the presumption against breach.

c. The CIT and the Federal Circuit have applied Charming Betsy in different ways in various cases involving trade agreements.

     Different cases before the federal courts that hear issues involving tariffs and trade measures—the CIT and the Federal Circuit—have taken varied approaches to the Charming Betsy canon.

     For example, in Federal-Mogul, the Federal Circuit faithfully applied the Charming Betsy canon in a case involving antidumping duties.  The court found that where “the Act presented [the agency] with a choice between methodologies for calculating dumping margins” and “[t]ax-neutral methodologies clearly accord with international economic understandings,” the court should not read a violation of an international obligation into the statute and should interpret the statute in a manner consistent with those international obligations.

     However, the Federal Circuit in Allegheny Ludlum Corp. v. U.S. took a somewhat different approach.  In that case, the court was tasked with determining whether the sale of a steel company’s assets from the French government to private individuals could extinguish pre-sale subsidies.  In determining that 19 U.S.C. § 1677(5)(F) does not distinguish between an asset sale and stock sale, the Federal Circuit found that the “trial court correctly grounded its judgement in the statute and this court’s precedent,” however went further and concluded “[a]nother consideration also supports the trial court’s analysis . . . Section 1677(5)(F) ‘must be interpreted to be consistent with [international] obligations.’”  The court found that disparate treatment under [Commerce’s] methodology would contravene a WTO appellate body report “specifically reject[ing] the argument that sales of assets should be treated differently from sales of stock for assessing countervailing duties.”  The court thus recognized Charming Betsy as a “guideline that supports the trial court’s judgment.”1111 Similarly, in Meyer Corporation v. United States, the Federal Circuit used Charming Betsy principles to further support the conclusion that 19 U.S.C. § 1401a does not require a Thai manufacturer to show its “first-sale” price was unaffected by Chinese nonmarket economy influences (arguing “[f]urther, the trade laws ‘must be interpreted to be consistent with [international] obligations, absent contrary indications in the statutory language or its legislative history.”) 43 F.4th 1325 (Fed. Cir. 2022).  

     In addition, Judge Restani of the CIT in a law review article took a somewhat different view of how to apply Charming Betsy principles to statutory interpretation.  She argued that Charming Betsy should be used as a means to interpret legislative intent: “If the statute is unclear, but the international agreement is clear, it likely should aid the court’s interpretation, but perhaps not based upon the Charming Betsy principles, as they have been understood.  Rather, the statute is intended to implement the agreement, and the relevant WTO agreement may be viewed as secondary legislative history.”1212 See also Corus Staal BV v. U.S. Dept. of Commerce, 259 F. Supp.2d 1253 (Ct. Int’l Trade 2003) (Restani, J.) (finding that WTO decisions may help inform a court’s decision, however when faced with an ambiguous statute and ambiguous international agreement, the agency interpretation controls).

     Other court decisions have taken the approach of seeking to point out conflict between U.S. law and international agreements under Charming Betsy analyses as a basis to disregard the international law, rather than to seek harmony between statute and international law as the age-old canon entails.  For example, in Nippon Steel v. United States, the CIT cites 19 U.S.C. § 2504(a) of the Trade Agreements Act of 1979, which states that “[n]o provision of any trade agreement approved by the Congress . . . which is in conflict with any statute of the United States shall be given effect under the laws of the United States” to conclude that where “the GATT and a federal statute collide, the statute governs, sinking the Charming Betsy canon in the process.”  The Federal Circuit made a similar finding in Corus Staal BV v. Department of Commerce.1313 The Court concluded that “[n]either the GATT nor any enabling international agreement outlining compliance therewith (e.g., the [Antidumping Agreement]) trumps domestic legislation; if U.S. statutory provisions are inconsistent with the GATT or an enabling agreement, it is strictly a matter for Congress.”  

     However, the Charming Betsy canon, as articulated by the Supreme Court, requires that the statute is interpreted to be consistent with the international obligation, when such “possible construction remains.”  The canon is not designed to find conflict, but instead to find harmony between statute and international law.  As one commentator explains, the canon should be invoked to “evaluat[e] the proper U.S. stance toward [international law]” rather than give international law positive legal force.  Indeed, in the Federal-Mogul Corp. v. United States decision, the Federal Circuit acknowledged the 19 U.S.C. § 2504(a) requirement not to give effect to a provision of a trade agreement that conflicts with statute, but noted “GATT agreements are international obligations, and absent express Congressional language to the contrary, statutes should not be interpreted to conflict with international obligations.”  It is not incongruent to read statutes consistently with trade agreements.  In particular, 19 U.S.C § 2504, a standard provision commonly found in U.S. trade agreements’ implementing legislation, does not restrict courts’ ability to read statutes congruently with trade agreements, but rather reflects a core tenet of the Charming Betsy canon—that clear statutory language controls, and that the trade agreement should be read to be consistent with statute.

III. A Case Study: The Solar Safeguards Case1414 Hogan Lovells US LLP was counsel to several different Canadian parties in the solar safeguards proceedings, including the original investigation before the U.S. International Trade Commission, the CIT, the Federal Circuit, and the USMCA Panel.

     Some of the very first trade-restrictive measures imposed by the first Trump Administration were the global safeguard measures on solar cells and modules.  Leveraging authority under Section 201 of the Trade Act of 1974, President Trump signed a presidential proclamation resulting in an initial 30% tariff and an annual 2.5-gigawatt tariff-free quota.  This was the culmination of the first safeguards investigation in the United States since 2001 and implicated a massive amount of annual trade, primarily imports from Southeast Asia and South Korea.1515 There was also a global safeguards investigation on washing machines around the same time as the solar safeguards investigation, and the remedies for both cases were imposed on the same day (February 7, 2018). This is a useful case for a post–Loper Bright Charming Betsy analysis for two reasons.  First, it involves a major trade measure imposed by the first Trump Administration and subsequent legal challenges, which gives a window into what might be ahead.  Second, it offers a useful natural experiment on the Charming Betsy canon, where a reviewing court sets aside Charming Betsy arguments in its statutory interpretation, and later, an international tribunal came to a contrasting conclusion, interpreting the statute’s best meaning through the lens of the USMCA, a source of international law.  This case shows how courts that seek the best meaning of a statute in light of the Charming Betsy canon might come to a different conclusion than if they were to give deference to the government’s reading or to read the statute without regard to international law.

a. Overview of the Solar Safeguards case

     The statutory scheme for global safeguard measures can be found in Sections 201–204 of the Trade Act of 1974.  Global safeguards investigations begin before the U.S. International Trade Commission (“USITC”), which investigates the market through detailed questionnaire submissions, a public, full-day hearing, and briefs from interested parties; makes a binding determination on whether to authorize safeguard measures; and then issues a nonbinding recommendation to the President on what measure(s) to impose.  Then, the statute grants the President the authority to impose (or not impose) safeguard measures as he or she chooses, with some specific statutory limitations and constraints. 

     Separately, the NAFTA Implementation Act provided for a distinct and specific legal test for imposition of global safeguard measures on imports from Canada and/or Mexico.  That legal test also can be found in the text of the NAFTA and parallel text in the subsequent USMCA, although there are important differences between the NAFTA/USMCA and their implementing legislation, as addressed below.

     In the Solar Safeguards case, the USITC made affirmative findings for global imports, thereby authorizing the President to impose safeguard measures on a global basis—which he did.  However, the USITC in a 3–1 vote made negative findings for imports from Canada because the Commission found that imports from Canada were not a substantial share of imports nor did they contribute importantly to the serious injury caused by global imports under the NAFTA Implementation Act’s separate test.  In every other global safeguard case prior, a negative finding from the USITC ended the matter for imports from Canada (or Mexico).  However, for the first time ever, in this case President Trump disregarded the Commission’s negative findings and imposed safeguard measures on Canada in the same manner as were imposed on all other imports.

b. U.S. court litigation arising out of the Solar Safeguards case

     The President’s imposition of safeguard measures on imports from Canada led to litigation before the CIT, which was then appealed to the Federal Circuit.

     Three Canadian solar panel producers/exporters and a U.S. affiliated importer requested an injunction to halt application of the safeguard measure as applied to imports from Canada.  Plaintiffs (supported by the Canadian Government as an amicus curiae) argued that the NAFTA Implementation Act was ambiguous in certain aspects and that international law—the NAFTA—made clear the proper interpretation of U.S. law in this case.1616 For example, the NAFTA Implementation Act refers to “quantitative restrictions” while the NAFTA text refers to “restrictions” when addressing a condition of imposing a safeguard on imports from Canada—allowing for reasonable growth of such imports. Plaintiffs and the Government of Canada argued that the statute should be read in accordance with the NAFTA text and that the safeguard measures, which imposed restrictions on imports from Canada, should be subject to these conditions. Notably, Article 802.5(b) of the NAFTA expressly provides that “[n]o Party may impose restrictions on a good in [a safeguard] action . . . that would have the effect of reducing imports of such a good from a Party below the [recent] trend of imports.”  Plaintiffs argued that Charming Betsy should lead the court to read the statute as preventing application of safeguard measures on Canada, at least in the manner that was done in this case.1717 See, e.g., Memorandum in Support of Plaintiff’s Motion for Temporary Restraining Order and Preliminary Injunction at 33–34, Silfab Solar v. United States, 296 F. Supp. 3d 1295 (Ct. Int’l Trade 2018) (No. 18-00023); Reply in Support of Plaintiff’s Motion for Temporary Restraining Order and Preliminary Injunction at 14–17, Silfab Solar, 296 F. Supp. 3d 1295 (No. 18-00023); see also Amicus Curiae Brief of Government of Canada at 8–11, Silfab Solar, 296 F. Supp. 3d 1295 (No. 18-00023).

     The CIT upheld the safeguard measure on imports from Canada, irrespective of these Charming Betsy arguments.  The CIT instead found that the plain meaning of the statute did not require interpretation in light of the international law on point.1818  Id. at 32–33. The Federal Circuit affirmed.  

c. The USMCA panel reached different conclusions under international law.

     Separately from the court cases brought by Canadian solar producers, the Government of Canada brought a NAFTA dispute against the United States on the basis that the solar safeguards measures on imports from Canada violated NAFTA Articles 802–803.  

     Because of the difficulty of forming an international panel under the NAFTA, which plagued NAFTA state v. state dispute settlement for many years, no panel was ever formed.  Soon after the USMCA entered into force in 2020, Canada brought a USMCA dispute on the same basis.  Due to fixes to the panel formation process in the USMCA, a USMCA panel was quickly formed and heard this case. 

     In February 2022, the USMCA panel unanimously ruled in favor of Canada on all counts—finding that the safeguard measures violated the USMCA.  The USMCA panel explained that multiple aspects of the safeguard measures as applied to Canada were contrary to the text of the USMCA (which paralleled the text of the NAFTA).1919 “The Panel doubts that the United States’ claim that the applied measure was structured to ensure no reduction in imports from Canada despite the substantial increase in tariffs or that the measure allowed for reasonable growth in Canadian imports by means of geographical proximity would satisfy the test under Article 10.2.5(b). Such argument is inconsistent with the reading of the clear prohibition in Article 10.2.5 (“No Party may impose restrictions that . . .”), requiring some action to ensure that the conditions of 10.2.5(b) are met. The Panel doubts that a passive acknowledgement of the geographical proximity of Canada (and Mexico) to the U.S. market would constitute an “allowance for reasonable growth” within the meaning of Article 10.2.5 (b).”

     Several months after the USMCA panel’s decision, the United States and Canada entered into a memorandum of understanding (“MOU”) that included removal of the safeguard tariffs on imports from Canada.  Following this MOU, imports of solar panels from Canada were permitted to enter without regard to any safeguard—four and a half years after they were imposed in a manner that was upheld by the CIT and Federal Circuit, but ultimately found to be in violation of the USMCA.

d. Takeaways from the Solar Safeguards dispute

     The solar safeguards dispute is a prominent example of the importance of the Charming Betsy canon in assisting U.S. courts to find the best meaning of a statute.  If the courts had applied the Charming Betsy canon and read the NAFTA Implementation Act in concert with the on-point international law contained in the NAFTA, the courts may have come to a different conclusion and avoided several years of application of an unlawful measure and irreversible economic damage. 

IV. Chevron and Charming Betsy

     Until June of 2024, courts had long applied Chevron’s two-step analysis when reviewing agency interpretations of statutes.  Generally, where an agency advocated a statutory construction that comported with the relevant international obligation, Charming Betsy and Chevron simply reinforce[d] each other.”  When courts reviewed agency interpretations that conflicted with clear international obligations, courts typically applied Chevron, at the expense of the Charming Betsy doctrine.  Below, we review how courts interpreted ambiguous statutes that conflicted with international obligations under Chevron and then look at how their methods of interpretation may change, now unbridled by the defunct Chevron deference doctrine.

a. Some courts found that Charming Betsy should be read in conjunction with Chevron.

     Some courts read the two doctrines “in tandem” by generally incorporating the Charming Betsy canon into Chevron’s Step 2 analysis.  While Chevron states that a court should normally defer to an agency’s reasonable interpretation, the CIT has found that “where international obligations arise, the reasonability of the agency’s interpretation must be gauged against such obligations.”  When applying Charming Betsy, courts have generally imported the canon into Chevron Step 2 as an aid to determine whether the agency’s interpretation is reasonable.  If the agency’s interpretation conflicts with a clear international obligation, courts have found the agency’s interpretation of the statute to be unreasonable.2020 Courts have used Charming Betsy as a statutory tool of interpretation to construe a statute contrary to the agency’s “proffered construction.”

b. Some courts found that Chevron took precedence over Charming Betsy.

     Some courts and commentators alike have advocated for an approach where, even in the face of clear conflicting international obligations, an agency’s interpretation of an ambiguous statute takes primacy over Charming Betsy.  In Suramerica de Aleaciones Laminadas, C.A. v. United States, the Federal Circuit held that “[if] Commerce’s interpretation of its statutory power falls within the range of permissible construction . . . that ends our inquiry . . . [E]ven if we were convinced that Commerce’s interpretation conflicts with the [General Agreement on Tariffs and Trade],  which we are not, the GATT is not controlling.”  Other courts have been hesitant to upset Chevron deference “unless the conflict between an international obligation and Commerce’s interpretation of a statute is abundantly clear.”  Both the Tenth Circuit and First Circuit chose not to apply the Charming Betsy canon where it arguably could have, ultimately resolving the matter on Chevron grounds.  Indeed, the First Circuit noted the majority’s “failure to adequately consider the Charming Betsy question and the tension between the agency’s interpretation in this case and U.S. treaty commitments.”2121 The First Circuit concluded “there is no reason why the judiciary, as a co-equal branch of government, should interpret a statute in such a way that would violate a treaty, absent a clear showing by Congress that it desires this result.  Applying the Charming Betsy canon is therefore consistent with the judiciary’s role to ‘say what the law is.’” Similarly, Professor Cass Sunstein and Judge Eric Posner have posited that, as an “international relations doctrine,” Charming Betsy should yield to Chevron deference when interpreting statutes related to foreign relations because the executive “is in the best position to balance the competing interests” of the nation and has “better information about the consequences of violating international law.”  International Law Scholar and Professor Curtis Bradley, who has written extensively on Charming Betsy, has also prioritized Chevron, arguing that Charming Betsy “should not trump Chevron deference, at least where there is a ‘controlling executive act.’”  Justice Kavanaugh as a judge on the D.C. Circuit (who joined the majority in Loper Bright in overturning Chevron) had previously taken the view that Chevron should be given priority.2222 Justice Kavanaugh found that “[t]he basic reason is that the Executive—not international law or an international tribunal—possesses the authority in the first instance to interpret ambiguous statutes and to determine how best to weigh and accommodate international-law principles not clearly incorporated in the statute.” 

c. Applying Charming Betsy in a post-Chevron world

     On June 28, the Supreme Court uttered the already infamous words: “Chevron is overruled.”  The decision was premised on a separation of powers argument that “the Framers crafted the Constitution to ensure that federal judges could exercise judgment free from the influence of the political branches.”  The Court’s holding repeatedly points to Marbury v. Madison, which concluded that it is the province of the courts to say what the law is, but it also looked to Section 706 of the Administrative Procedures Act which “codifies for agency cases the unremarkable, yet elemental proposition . . . that courts decide legal questions by applying their own judgment.”

     The Loper Bright decision rids courts of the need to defer to agencies when conducting their independent judicial review of questions of law.  In addition to these signals, the Court presses lower courts to “apply[] all relevant interpretive tools” to determine the “best” interpretation of the statute.

     Courts typically employ five types of interpretive tools to “say what the law is.”  In a post-Chevron world, all five interpretative tools become more important and will be increasingly relied on.  First, courts may look to the statutory text to determine a term’s ordinary meaning—“what the text would convey to a reasonable English user in the context of everyday communication.”2323 See also Frank H. Easterbrook, The Role of Original Intent in Statutory Construction, 11 Harv. J.L. & Pub. Pol’y 59, 61 (1988) (“Meaning comes from the ring the words would have had to a skilled user of words at the time, thinking about the same problem.”). Judges may leverage dictionaries or books to better understand the word’s ordinary usage.2424  In a dissenting opinion, Justice Scalia used a dictionary definition to interpret the word “use.” Second, courts may turn to the broader statutory context of the law, including how the term is used elsewhere in the statute or how the statute is structured.  Third, courts can review the statute’s legislative history to decipher congressional intent.  Fourth, courts may consider past practices or future scenarios. More specifically, a court could look at how an agency enforced a law previously or how a particular statutory interpretation may operate in the future.  Fifth, and most important for our purposes, judges may choose to leverage various canons of construction—presumptions about how courts should read the text of a statute that “have been touted for centuries as neutral rules of thumb for reliably interpreting statutes.”  

     Unbridled by Chevron, courts will increasingly rely on substantive canons like Charming Betsy to interpret the “best” meanings of statutes.  Charming Betsy requires courts to harmonize an ambiguous statute with U.S. international obligations whenever possible.  Charming Betsy says the “best” interpretation of the statute is the one that does not conflict with international law.  When interpreting ambiguous statutes, which courts are often called to do, they should turn to canons of interpretation including the Charming Betsy canon as a first step in determining the “best” reading of the statute.  

     Substantive canons have “long been a prominent feature of American, as well as English, statutory interpretation” and “have been and continue to be routinely invoked by federal and state courts.”  However, substantive canons are not without their critics.  Professor Bradley argues that there are three principal criticisms of canons: 1) canons do not effectively constrain judicial decision-making; 2) canons do not always represent likely congressional intent and 3) canons promote judicial activism as judges may use them to ignore the plain meaning of statutes. 

     Certain elements of the Charming Betsy canon insulate it from criticisms in a post-Chevron world.  First, as Professor Curtis Bradley notes, many of these historical critiques have been countered by recent “academic and judicial support” finding that normative canons like Charming Betsy “represent value choices by the [c]ourt” that are “defensible . . . to the extent that good substantive and institutional arguments can be advanced on their behalf.”  Similarly, Justice Barrett has acknowledged that a textualist’s obligation of faithful agency to Congress is qualified by substantive canons which serve to uphold constitutional values.  Charming Betsy represents a canon that is applied not to further policy prerogatives but rather to reinforce institutional values.  The canon is “a means of both respecting the formal constitutional roles of Congress and the President and preserving a proper balance and harmonious working relationship between the three branches.”  

     Second, Charming Betsy is a doctrine as old as the Republic.  In Loper Bright, Justice Gorsuch seemed to challenge the dissent’s implication, that with overruling Chevron, the Court was getting rid of all substantive canons, by differentiating the deference doctrine from other “interpretative rules that have guided federal courts since the Nation’s founding.”  While the Supreme Court formally announced the Charming Betsy canon in 1804,2525 In fact, Charming Betsy was not even the first American case to articulate the underlying principle that statutes should be read in harmony with international obligations.  See Jones v. Walker, 13 F. Cas. 1059, 1064 (C.D. Va. 1800) (concluding it would be “contrary to the laws and practice of civilized nations” to construe a statute to prohibit British subjects to bring suits in Virginia courts when a construction “more consonant to reason and the usage of nations can be found.” See also Talbot v. Seeman, 5 U.S. (1 Cranch) 1 (1801) (adopting a reading of a statute that is consistent with the law of nations because “[b]y this construction the act of Congress will never violate those principles which we believe, and which it is our duty to believe, the legislature of the United States will always hold sacred.”). the principles underlying the Court’s thinking trace back much further.  Professor Bradley believes Chief Justice Marshall could have found support for the canon in a pre-constitutional case, argued by none other than Alexander Hamilton, where a New York court read a state law in a way that comported with the Treaty of Paris and the law of nations.  In addition, English law employs a similar canon and Professor Louis Henkin has found “numerous statements” where the Supreme Court as early as the late 1700s referred to the law of nations being incorporated into the “common law.”2626  Louis Henkin, Foreign Affairs and the United States Constitution 509 n.17 (2d 1996); See also United States v. Worrall, 2 U.S. (2 Dall.) 384, 392 (1798). In fact, the principles underpinning the doctrine, known as the “law of nations” or jus gentium, find their roots in ancient Roman law.  

     Third, the Charming Betsy canon has been a feature in our judicial system for a long time and in that time, it has elicited no controversy or reaction from the political branches.  It has become a critical “component of the legal regime defining the U.S. relationship with international law” and is even “enshrined in the black-letter-law provisions of the influential Restatement (Third) of the Foreign Relations Law of the United States.”  Congress has long legislated with Charming Betsy as a backdrop and is on notice that it should speak clearly when it intends for a statute to violate international obligations.  This argument follows the Supreme Court’s understanding that “Congress legislates with knowledge of our basic rules of statutory construction.”

V. Peering Through the Spyglass: A Step By Step Guide to Use of Charming Betsy Going Forward

     Consistent with Supreme Court precedent, courts should apply the Charming Betsy canon when interpreting statutes that overlap with international law.  Courts have even broader discretion to do so in a post-Chevron world.  Below, we propose a three-phase approach that courts should employ when reviewing agency interpretations of statutes where international law is at play. 

a. Step 1

     First, courts should determine whether a statute is clear.  If the statute lacks ambiguity, in particular if Congress expressly declared its intention to legislate in a manner that contradicts an international obligation, courts should apply the statute as written, irrespective of international law.  Where Congress has clearly spoken, Charming Betsy is inapplicable. 

b. Step 2

     Second, if the statute is ambiguous, courts should look to international law to guide their interpretation of the best meaning of the statute.  In accordance with Charming Betsy, courts should interpret the domestic statute in a manner that comports with the United States’s international obligation, with the goal of avoiding conflict between domestic law and international law wherever possible.  This interpretive exercise should take precedence over agency interpretation of a statute, in accordance with the Supreme Court’s clear directive in Loper Bright that courts should seek the best meaning of a statute, irrespective of agency interpretation.  Courts have long applied Charming Betsy as an aid in the statutory interpretation process in this way.  Unbridled by Chevron, Charming Betsy should be a primary tool employed to interpret ambiguous statutes where coinciding international obligations exist. 

c. Step 3

     Third, if applicable international law is too ambiguous to guide the interpretation of an ambiguous statute, only then should courts give agencies’ interpretations “respect” to the extent they have the “power to persuade.”  Notably, the Supreme Court in Loper Brightwarmly embraced Skidmore v. Swift & Co., which calls not for deference, but for respectful attention to the views of the relevant agency.”  The Court held that interpretations “‘made in pursuance of [an agency’s] official duty’ and ‘based upon . . . specialized experience,’ ‘constitute[d] a body of experience and informed judgment to which courts and litigants [could] properly resort for guidance,’ even on legal questions.”2727 Interpretations made by the same agencies that initially negotiated the international agreement may have greater power to persuade.  See Iceland S.S. Co.-Eimskip v. U.S. Dep’t of Army, 201 F.3d 451, 458 (D.C. Cir. 2000) (“[W]e give ‘great weight’ to ‘the meaning attributed to treaty provisions by the Government agencies charged with their negotiation and enforcement.”’). Courts should use the Skidmore factors to weigh whether the agency’s interpretation is entitled to such “respect.”  Factors for a court to consider include the “thoroughness evident in [the agency’s] consideration, the validity of [the agency’s] reasoning, [the interpretation’s] consistency with earlier and later pronouncements, and all those factors which give it power to persuade, if lacking power to control.”  Under this approach, courts can fulfill their duty to interpret statutes, while relying on agencies’ expertise as a guide when both the statute and applicable international law present true ambiguity, in line with the standard established in Loper Bright.

VI. Conclusion

     Charming Betsy has been applied by the Supreme Court for over 200 years.  While the substantive canon of interpretation has sometimes come into conflict with the Chevron doctrine, diminishing its applicability and influence, the Loper Bright decision requires courts to “exercise their independent judgment in deciding whether an agency has acted within its statutory authority,” “applying all relevant interpretive tools” to determine the “best” interpretation of the statute.  With courts now unmoored from Chevron, courts can, and should, more actively leverage Charming Betsy to harmonize agency interpretations of ambiguous statutes with international law.

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*Michael Jacobson is a Partner at the law firm Hogan Lovells US LLP in the firm’s International Trade and Investment practice, based in Washington, DC.

**Stephen Finan is a student at the American University Washington College of Law.

All views, positions, and conclusions expressed in this article should be understood to be solely those of the authors in their personal capacity.

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HALO x ILJ Collaboration, Online Scholarship

Expanding U.S. Anti-Money Laundering Laws to the Art Market: A Proposal for a New Regulatory Framework

Editor’s Note: This article is part of a collaboration between the Harvard Art Law Organization and the Harvard International Law Journal.

*Sarah Jane Kim

Introduction

The threat of money laundering remains a major global issue, with up to $2 trillion laundered annually—around 5% of global gross domestic product. The United States has adopted a framework to combat the risk of money laundering, the centerpiece of which is the Bank Secrecy Act (BSA). The BSA requires financial institutions, such as banks, money services businesses, and casinos, to take steps to prevent, detect, and report money laundering activity. While comprehensive, the BSA does not apply to all entities that could facilitate money laundering in the United States, notably excluding the art market.

The global art market’s features make it highly susceptible to money laundering, such as the easy transport of high-value items; use of third-party intermediaries to transact and store art; subjective nature of valuing art; culture of secrecy and lack of transparency embedded in the art industry; and the continuing rise of private sales in the art market. The $65 billion U.S. art market is particularly vulnerable as it is “the largest, legal unregulated industry in the United States.”

Despite its efforts to expand the BSA’s application to additional entities, the United States has opted against regulating the art market, relying instead on voluntary self-policing. The lack of U.S. Anti-Money Laundering (AML) regulation in this industry is especially concerning, considering that the United States is the leading market in art sales worldwide. Given the threat, the United States should immediately take steps to extend AML regulations to core art market participants (AMPs), including dealers, galleries, and auction houses. 

This article explores U.S. AML regulatory efforts toward the art market, compares them to the frameworks of the United Kingdom (U.K.) and European Union (E.U.), and highlights the issue with the U.S. art market’s self-regulation. The article then presents a path forward for U.S. AML efforts with a proposal for more effective and practical regulation. 

U.S. AML Framework and Recent Proposals

In the United States, the BSA mandates that financial institutions implement AML programs, according to a five-pillar framework: (1) designation of a compliance officer; (2)  development of internal AML policies; (3) proper employee training programs; (4) regular, independent, risk-based audits; and (5) implementation of customer due diligence (CDD). The BSA’s definition of “financial institution” has expanded over time to cover non-bank entities such as the real estate industry and pawnbrokers, but excludes participants in the high-value art market despite several attempts. Ultimately, the United States has extended AML regulations only to the antiquities market, while the EU’s AML laws include the art market as a regulated sector. 

Attempts to apply the BSA to the art market include the Illicit Art and Antiquities Trafficking Prevention Act (IAATP), introduced in May 2018. It would have amended the BSA to classify “dealers in art or antiquities” as a “financial institution,” thereby obligating art dealers to comply with AML measures, including Know Your Client (KYC) checks and reporting cash transactions over $10,000. However, the law did not pass. It faced opposition from many art professionals due to its burdensome requirements, especially on smaller players such as antique and ancient art dealers, including the low thresholds it had proposed for Suspicious Activity Reports (SARs) and Currency Transaction Reports (CTRs), as well as its imposition on the privacy of art collectors.

In January 2021, Congress passed the Anti-Money Laundering Act of 2020 (AMLA 2020) as part of the 2021 National Defense Authorization Act (NDAA). Section 6110 of the AMLA 2020 extended BSA provisions to antiquities dealers but not the art market.11 In response to FinCEN’s question on how an antiquity is distinct from a work of art, Christie’s provides a useful answer: “Antiquities generally refers to man-made archaeological material and cultural artifacts considered integral to a country’s history or heritage (e.g., statuary in stone, bronze and terracotta; vases in pottery, bronze, stone or glass) created from ‘antiquity,’ which usually refers to the ancient past before the Middle Ages (no later than 450 A.D.).” The AMLA 2020 directed FinCEN to examine the high-value art trade to determine whether the BSA provisions should also cover AMPs. While a 2022 study by the Department of Treasury acknowledged risks of abuse in the high-value art market, it recommended prioritizing other sectors such as real estate and nonfinancial gatekeepers before turning to the art market.

In July 2022, the U.S. House of Representatives passed an amendment to the 2023 NDAA, the Establishing New Authorities for Business Laundering and Enabling Risks to Security Act (ENABLERS Act). It would have imposed AML requirements on art dealers and auction houses and expanded the BSA’s KYC and CDD requirements to include lawyers, investment advisors, and other intermediary entities. However, the Senate rejected the ENABLERS Act following significant pushback from the American Bar Association and other industry representatives. Consequently, U.S. law is still without an effective AML framework for the art industry.

Regulation of the Art Market in the E.U. and U.K.

Unlike the United States, the E.U. and U.K. were much more aggressive and successful in extending AML regulations to AMPs. In 2020, the E.U. enacted its Fifth Anti-Money Laundering Directive (5AMLD), which extended AML regulations to include art auction houses and dealers.

Despite the U.K.’s exit from the E.U. in January 2020, the U.K. proceeded to apply the 5AMLD in its AML efforts. The U.K. offers both a criminal law approach and preventative approach to combat money laundering. For the former, the U.K. enacted its Proceeds of Crime Act in 2002, which made it a crime for any entity, including art market participants, to be involved in arranging or acquiring property through unlawful conduct or money laundering. For the latter, the U.K. enforced the Money Laundering, Terrorist Financing, and Transfer of Funds Regulations in 2017 (MLR 2017), which expanded the country’s AML directives and was updated to specifically cover “art market participants” who transact amounts exceeding €10,000. The MLR 2017 required even accountants, legal professionals, high-value dealers, and the like to establish risk-based protocols. In the U.K., AML compliance obligations include risk assessments, training requirements, CDD checks, enhanced checks for parties involved with politically exposed persons (PEPs) and high-risk third countries, and maintaining records. The U.K.’s AML approach is even more stringent than that of the E.U. and provides a more cohesive regulatory framework.

Analysis

Concerning the art market, U.S. AML laws lag far behind those of the E.U. and the U.K. This is problematic considering that the U.S. is the largest global art market with a share of 42%, surpassing China at 19% and the U.K. at 17%. Instead of taking real action to prevent money laundering in the art market, the United States has opted to allow market participants to follow a voluntary system that is mere window dressing for the problem. As a result, the United States remains an attractive target for global criminals to launder their criminal proceeds. 

Senate Subcommittee Investigations: Voluntary AML Compliance Programs

The U.S. Senate’s Permanent Subcommittee of Investigations (the “Subcommittee”) in 2020 investigated the status and effectiveness of the voluntary AML programs at the four major auction houses—Sotheby’s, Christie’s, Phillips, and Bonhams. While the houses do not publish their AML policies, the Subcommittee investigated their voluntary programs and published its findings (2020 Senate Report). The 2020 Senate Report found that the high-value art market presents an attractive vehicle for money laundering and sanctions evasion and recommended imposing regulatory compliance requirements on U.S. art dealers and auction houses. The Subcommittee concluded that the voluntary AML programs maintained by the major auction houses were not effective in identifying the true ultimate beneficial owner (UBO) as they generally performed CDD on the art advisor/dealer and other intermediaries rather than on UBOs—and even then, any CDD may be voluntary.

A Path Forward

The BSA should be extended to art dealers, auction houses, and other art intermediaries with annual gross sales exceeding $5 million, henceforth identified as high-value art market participants (HVAMPs). The following are recommendations for how such AMPs should operate under BSA/AML compliance regulations per the BSA’s five-pillar framework. Drawing from the definitions established in the ENABLERS Act and 5AMLD, AMPs should be defined as “persons or entities engaged in the trade of works of art — specifically including dealers, advisors, consultants, custodians, galleries, auction houses, and museums — or persons or entities acting as an intermediary in the sale or purchase of works of art.”

BSA Compliance Recommendations for the High-Value Art Market

  1. All HVAMPs must have a designated compliance officer.
  2. All HVAMPs must develop internal, written AML policies. Major auction houses with established programs must publish their AML policies. The policies must include clear procedures for filing SARs with FinCEN. An HVAMP receiving an unsatisfactory client response on the source of funds or UBO identity should be required to file a SAR. 
  3. Employee training programs must be documented and updated to reflect current market trends. All current and incoming employees must be trained to detect suspicious activity. 
  4. Independent, risk-based audits should be conducted periodically to assess weaknesses in a company’s BSA/AML compliance program. 
  5. Mandatory CDD should be implemented. This rule requires HVAMPs to identify and verify beneficial ownership identities, allowing HVAMPs to assess whether they are dealing with legitimate or suspicious buyers. HVAMPs should be required to file SARs with FinCEN upon encountering a potentially suspicious UBO customer. As in the E.U. and U.K. and proposed in the ENABLERS Act, CDD should apply to UBO customers who wish to purchase an artwork valued above $10,000.

Considerations

As discussed, previous efforts to apply the BSA to the art market failed due to strong resistance from the art world, especially from smaller market players and peripheral AMPs like lawyers and investment advisors. Therefore, these recommendations attempt to mitigate these shortcomings.

First, mandated AML programs should apply only to core AMPs meeting a realistic and practical monetary threshold. While E.U. and U.K. laws mandate compliance on all those dealing in works of art exceeding €10,000, this requirement will likely cover nearly all small U.S. art dealers and galleries. FinCEN interim rules implementing section 352 of the USA PATRIOT ACT require dealers in precious stones and jewels to establish AML programs if they both purchased and sold at least $50,000 of covered goods in the preceding year. However, this threshold is still too low for the high-value art market.22 “The high-value art market is of greatest concern in the industry from a money laundering perspective but represents a limited portion of the broader art market. According to the UBS and Art Basel report, in 2020, less than 20 percent of works sold internationally by art dealers had values over $50,000. Approximately 10 percent of sales by auction houses internationally in 2020 had values over $50,000, but those sales accounted for over 85 percent of the total sales value” (2022 Treasury Study, 3). If these thresholds are imposed, the costs associated with maintaining an AML program could be crushing on small mom-and-pop art dealers and galleries. A more reasonable approach would be to set the monetary threshold at $5 million in annual gross sales, thus preventing undue burdens on smaller dealers while still targeting high-value, money laundering–prone transactions.33 This dollar threshold is intended to ensure that, like the AML programs for precious jewel dealers, the rule only applies to persons engaged in the business of buying and selling a significant amount of works, rather than to small businesses, occasional “dealers,” and persons dealing in such items for hobby purposes. Moreover, the $5 million threshold has precedent in the Corporate Transparency Act of 2024, which requires a reporting entity to have more than $5 million in gross receipts or sales on their prior year’s federal income tax return.

Potential criminals may still attempt to launder their illicit proceeds through dealers under the $5 million benchmark. However, this threshold would create less resistance from smaller AMPs while still addressing the target high-value art market, where players regularly transact above $5 million. If criminals attempt to launder money through a large number of lower-valued artworks with the smaller AMPs, such attempts could become extremely burdensome, and these smaller dealers could eventually achieve sales revenue of $5 million or more—in which case they would become subject to the AML laws. FinCEN could adjust thresholds further if laundering persists but still should avoid imposing undue financial and administrative burdens on smaller AMPs. 

Incidentally, backlash may arise over the differing thresholds for the art market versus the antiquities market, whose dealers are subject to AML obligations if trading antiquities valued at $10,000 or more. However, despite physical or categorical similarities between the two, the art market should be treated distinctively as it handles significantly higher volumes and values than the antiquities trade.44 See supra note 1. The global antiquities trade is worth an estimated $300–400 million a year. For more, see the following reports: Fighting Bogus Information About the Art Market; The Current State of the Antiquities Trade: An Art Dealer’s Perspective; The Art Basel & UBS Global Art Market Report 2024.

Conclusion

The U.S. art industry is vulnerable to money laundering due to the lack of effective AML regulations. Congress has thus far failed to enact effective AML laws applicable to the art industry due to strong opposition from certain lobbying groups and smaller AMPs lacking resources to adopt AML compliance programs. While the E.U. and U.K. enforce stringent AML regulations, the United States, as the leader of the global art market, must catch up. This oversight creates a major loophole in the global enforcement of AML initiatives in this important industry. Implementing a regulatory framework involving large-scale U.S. art market players can strengthen AML efforts without overburdening smaller participants.

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* Sarah Jane Kim is a legal research associate and former arts professional. She holds a B.A. in Art History from Georgetown University and M.A. in Art History from Columbia University, where she specialized in 19th-century French art. She has worked at the Metropolitan Museum of Art, Smithsonian, Phillips, and helped teach the Art History survey at Barnard College and Columbia University. She will be entering law school this fall.

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HALO x ILJ Collaboration, Online Scholarship

Preservation or Protection? The Intellectual Property Debate Surrounding Traditional Cultural Expressions

Editor’s Note: This article is part of a collaboration between the Harvard Art Law Organization and the Harvard International Law Journal.

*Gunjan Arora

Introduction: 

The United Nations Declaration on the Rights of Indigenous Peoples (2007) acknowledges equal human rights of indigenous peoples against cultural discrimination. Under Article 31.1 of the Resolution, indigenous people have been accorded the right to “maintain, control, protect and develop…intellectual property over [their] cultural heritage, traditional knowledge and traditional cultural expressions.” This includes manifestations of their sciences, technologies and cultures, including oral traditions, literatures, designs, sports and traditional games and visual and performing arts among others. Further, Article 31.2 enjoins the respective States with an obligation to undertake effective measures which enable indigenous people to exercise their rights successfully. 

The World Intellectual Property Organization (1985) defines “Traditional Cultural Expressions” and/or “Expressions of Folklore” as tangible and intangible forms in which traditional knowledge and cultures are expressed, communicated, or manifested. These include traditional music, performances, narratives, names and symbols, designs, and architectural forms. These are said to be included as part of the broader connotation of Traditional Knowledge. Traditional Cultural Expressions (TCEs) mirror the identity and heritage of indigenous communities. They are integral to their socio-cultural identities, embodying know-how and skills, thereby transmitting core values and beliefs. Their preservation is key to the promotion of creativity, enhanced cultural diversity, and the preservation of their cultural heritage. 

According to WIPO, the several ‘uses’ of TCEs may include commercial, industrial, customary, household, public health uses as traditional medicine and fair use for research and educational purposes. Currently, there is no specific clause under any international instrument that seeks to provide any form of protection, preservation, or conservation of these rights belonging to      traditional communities. Although there is a prolonged and ongoing debate on the need to preserve or protect the Traditional Cultural Expressions belonging to an indigenous community as a community based right, such indigenous communities per se have yet not been given an opportunity to exercise their discretion with respect to the manner in which TCEs are to be exploited. This article seeks to explore the idea of preserving TCEs as a separate form of IP under a sui generis system. Adopting a sui generis system for protection of rights of TCEs and associated communities would consider identifying TCEs as an independent property right, capable of being enforced as an IP. TCEs can be recognized as a unique form of expression which can be a subject matter of protection under IP. They may be preserved as a community right based on the principle of access and benefit sharing. This would ensure that the communities cannot be subjected any form of unwarranted commercial exploitation or misappropriation. 

Traditional Cultural Expressions: Crafted by WIPO

The discussion surrounding TCEs is not a recent one. For the past two decades, the WIPO has been working towards granting an intellectual property rights status to TCEs. According to Vargas (2022), the need to protect TCEs as an intellectual property for indigenous communities is justified on three specific grounds: value-based, harm-based, and traditional IP-based. The value-based justification is built on the idea that TCEs are both economically and intrinsically valuable for the community to which it belongs and hence, such communities must be duly rewarded. The harm-based justification assumes that the cultural extinction, devaluation and desecration could be the result of lack of protection. Further, the traditional IP-based justification equates TCEs with any other form of work protected under IP and is based on incentivizing creativity, granting autonomy, right to self-determination, and collective ownership of communities to which they belong. Of these three justifications, although the IP-based and value-based justifications may seem more obvious, the harm-based justification may be more compelling due to the issue of cultural appropriation, propertization of traditional culture, and commercial adaptation. Graber’s (2009) suggestion to legally recognize TCEs either under IP or as a sui generis regime resonates well with both the collective right of self-determination and the collective right of self-government as endorsed by the Declaration on the Rights of Indigenous Peoples (2007).      

Although TCEs were initially included within the broader ambit of Traditional Knowledge, the need to grant TCEs protection as a separate form of IP gradually gained traction. The 12th Session of the WIPO Intergovernmental Committee on IP and Genetic Resources, Traditional Knowledge and Folklore (2008) considered IP protection for TK. WIPO defined the term TK to include the following: agricultural knowledge, scientific knowledge, technical knowledge, ecological knowledge, medicinal knowledge, “expressions of folklore” in the form of music, dance, song, handicrafts, designs, stories, and art work; elements of languages, such as names, geographical indications and symbols, and movable cultural properties. Any item which was not resulting from intellectual activity in the industrial, scientific, literary, or artistic fields, such as human remains, languages in general, and other similar elements of “heritage” in the broad sense, was considered excluded from the definition of TK. Hence, during this session, expressions of Folklore were considered part of TK itself. 

The WIPO Intergovernmental Committee on IP and Genetic Resources, Traditional Knowledge and Folklore, (2010) in its 17th session resolved to arrive at a definition for the term “Public Domain” specifically in reference to protection of TK and Traditional Cultural Expressions (TCE) or Expression of Folklore. The Committee agreed to exclude TK and TCE from the definition of “Public Domain” in order to protect them against unjust enrichment and misappropriation. The Committee proposed introducing the “Traditional Knowledge Commons” in order to restrict overlapping public domains or knowledge sharing spaces. The Traditional Knowledge Commons would be a mechanism to provide for regulated access to TK. “Public Domain” would include publicly accessible information or intellectual property which does not otherwise infringe on any legal right or obligation of confidentiality.  The differences between several phrases, including “publicly available and accessible,” “publicly available but not accessible,” “accessible but protected,” and “unprotected but not accessible” were discussed to distinguish publicly available TK from publicly unavailable TK. The latter, “unprotected but not accessible,” is the one which is not available without any monetary consideration or unjust enrichment. The UNEP Convention on Biological Diversity (2009) emphasized the need for seeking an identifiable Prior Informed-Consent (PIC) from indigenous communities, holding the TK  as a prerequisite when accessing traditional knowledge in order to fulfill the objectives under the legal frameworks of benefit-sharing.

The 37th Session of the Intergovernmental Committee on Intellectual Property and Genetic Resources, Traditional Knowledge and Folklore (2018) resolved to protect the TCEs under IP. This was aimed at recognizing the rights of indigenous communities and preventing the unauthorized use or unwarranted misappropriation of such TCE by any third party seeking to exploit them. The Committee agreed to define TCEs to include both pre-existing materials from the past and contemporary expressions of traditional cultures together with their adaptation, imitations, revitalizations, revivals, and recreation. Further, it was decided by the Committee that if a cultural expression is considered a traditional creation, it must be identified with a living tradition and community, which still bears and practices it. It is to be associated with the idea of collective ownership as opposed to individual ownership. A traditional creation is meant to exhibit a shared sense of communal responsibility, identity, and custodianship.

The WIPO Diplomatic Conference on Intellectual Property and Genetic Resources, Traditional Knowledge and Genetic Resources associated with Traditional Knowledge (2024) recently mandated a compulsory disclosure in patent applications for inventions which are based on Genetic Resources (GR) and/or associated TK. Contracting parties signing the Treaty are obligated to disclose the country of origin or source or identity of the indigenous people or local community of the GR and/or TK. This recent requirement raises concerns over the absence of any legal instrument for preserving TCEs as cultural heritage belonging to indigenous communities hailing from WIPO member states. Several jurisdictions currently provide for protecting TCEs originating in their respective states under Copyrights, Trademarks and Geographical Indications. Further, the Beijing Treaty on Audiovisual Performances (2012) grants performers of folklore a right under Article 15.4 of the Berne Convention for the Protection of Literary and Artistic Works (1886) access to a mechanism for the international protection of unpublished and anonymous works, including TCEs. However, the lack of any dedicated legally enforceable mechanism leads to considerable exploitation of the rights of traditional communities. 

Protection of Traditional Cultural Expressions Under IP: A Critical Analysis  

WIPO’s Intergovernmental Committee debates have focused on the distinction between Protection or Preservation, on the one hand, and Safeguarding or Promotion, on the other. IP grants a positive exclusive right to use work one has created and a negative right which excludes any unauthorized engagement of such work, thereby averring any unjust enrichment and misappropriation. Johnsson and Tualima (2017) state that a protection-based mechanism for TCEs under IP may not be feasible as it is a community-based right.  While the rationality of protection under IP is derived from the reward theory which incentivizes the individual creator, the idea of preservation would safeguard the rights of cultural creations belonging to indigenous communities. 

A critical analysis of all forms of IP presents the following opportunities and impediments to protecting the rights of indigenous communities over TCEs under IP:

a) The Berne Convention (1886) deals with the protection of works and copyrights of their authors. According to the WIPO, copyright is an author’s right over his work. It is a legal term which is used to describe the rights that the creators have over their literary, musical, and artistic works. Works covered under copyrights include books, drama, music, paintings, sculptures, and films, among others. Therefore, it can be concluded that the law      of copyrights and TCEs both deal with forms of literary, dramatic, musical, and artistic works. However, the difference lies in the nature of the intangible rights conferred. While copyright is a private ownership right, TCEs are community rights, handed down across generations, either orally or by imitation — it reflects the cultural or social identity of the said community. Commodification of original expressions by a third party in the form of derivative, adapted, or inspired works is a cause of conflict between the two. A claim for private ownership defies the very objective of TCEs. Once the term of copyrights comes to an end, the said work falls into public domain. However, traditional expressions, though available in the public domain, remain inaccessible. The essence of preservation and safeguarding TCEs is to ensure that commercial benefits are equally derived and shared with the communities which are recognized to have been associated with the origin of the said TCE. Preservation would safeguard against unwarranted and unauthorized claims of unjust enrichment. Nonetheless, the concept of the Collective Management Societies under the copyrights may be  adopted for securing the rights of indigenous communities and their TCEs. A collective management society under the copyright system grants primitive rights to the right-holder to administer their copyrights, facilitating copyright clearance and negotiating license terms in consideration for economic rewards in the form of royalties for commercial exploitation by third parties. Every such community recognized as having a TCE may be provided the right to register their community as a collective community. Such registered collective communities may exercise the right to use and grant third party licenses. This would ensure access-and-benefit sharing of profits accrued from commercialization equally between the traditional community and the third party. 

b) Trademark law deals with brand identification and distinctiveness among consumers with respect to goods and services. The purpose of trademarks is strictly commercial. Hence, trademark law may not be a feasible regime for protecting TCEs as cultural expressions are neither goods nor services. In fact, TCEs cannot be bound with commodification. They instead are nurtured as an experience by the community to which it belongs and is meant to be enjoyed equally by others. There is not meant to be any competition between the communities when allowing legitimate access of their TCEs to the general public. Consumerism is absent from the ethos of access and benefit sharing in a community. TCEs cannot be subjected to consumerism, rather they are to be preserved as an equitable opportunity of experience.

c) Geographical Indications (GIs) and TCEs are both community rights. While the latter deals with cultural expressions in the form of folklore, music and dance, performances or stories, meant to be experienced and enjoyed, the former deals with safeguarding rights of local communities engaged in manufacturing or producing goods attributable to specific geographical locations. An aspect of GIs, the registration of communities as a registered association or community capable of being recognized by way of a collective registration mark, may be implemented to preserve the rights of TCE communities. Every such TCE community may be registered under a collective association with a collective mark, equally distinctive and distinguishable to be identifiable with the community practicing it as cultural expression. 

d) The Traditional Knowledge Digital Library Project (2011), an initiative in India, makes all existing TK in India available in a digital format. Establishing a similar digital library for all the TCE belonging to and coming from specific indigenous communities may also be a step towards its preservation. Such a digital library would safeguard the community’s rights against misappropriation and unjust enrichment, preserve the objective of benefit-sharing, and bring recognition to indigenous communities credited for its origin.

Conclusion:

The idea of preserving the identity of indigenous communities practicing their agelong cultural expressions is to protect them against any unwarranted commercial exploitation. This may be legally enforced by recognizing TCEs as a sui generis regime. TCEs could be categorized as a separate form of IP. It may be identified as a community right where the right to administer the TCEs and its commercial exploitation vests with the collective management societies representing the interests of the indigenous community. In addition to this, creating a TCE Digital Library would further safeguard the rights of these communities against cultural appropriation, propertization of traditional culture, and unwarranted commercial adaptation. Extending the connotations of a community identity would be a step forward in preserving their right to self-determination and self-governance. 

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*Gunjan Arora is an Assistant Professor at Institute of Law, Nirma University.

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Fighting Money Laundering in the Art Market – A Comparative Overview of U.S. and Swiss Law

Editor’s Note: This article is part of a collaboration between the Harvard Art Law Organization and the Harvard International Law Journal.

*Enzo BASTIAN

I.   Introduction

The connection between money laundering and the art market was first identified as early as the 20th century (De Sanctis; Roth). However, it is recent international scandals, such as those revealed by the Panama Papers, that have intensified regulatory scrutiny of the art market (Roth; Cassani/Heninger; Kern). In the European Union (EU), this oversight began in 2018 with the implementation of the Fifth Anti-Money Laundering Directive (AMLD V), which brought art market participants under the scope of anti-money laundering (AML) and counter-terrorism financing (CTF) regulations. This framework was further reaffirmed in 2024 with the adoption of the EU’s first Anti-Money Laundering Regulation (AMLR).

Similarly, in February 2023, the Financial Action Task Force (FATF) — a leading international organization in the fight against money laundering — published a report specifically addressing the risks of money laundering in the art market (FATF, Report). The FATF emphasized the vulnerability of the art market to illicit activities and urged member states to implement robust countermeasures.

In the United States, the issue of money laundering within the art market resurfaced in particular in 2020 with a report from a Senate subcommittee (U.S. Senate, Report). This was followed by a comprehensive study published by the U.S. Department of the Treasury in February 2022 (U.S. DOT, Report). Despite these efforts, the American art market remains largely underregulated in terms of addressing money laundering risks. This regulatory gap is particularly concerning given the dominant position of the U.S. in the global art market, accounting for 42% of its total value in 2023 (UBS/Art Basel, Report 2024).

The lack of comprehensive regulation on this issue is not unique to the United States. Switzerland, which represented 3% of the global art market’s total value in 2023 (UBS/Art Basel, Report 2024), also faces significant regulatory deficiencies concerning money laundering in the art sector.

This note aims to briefly compare the legal frameworks of these two jurisdictions with respect to combating money laundering in the art market. It begins by presenting the rules governing preventive measures (II.) and repressive mechanisms (III.) before concluding with some final observations (IV.). It should be noted, however, that this note does not delve into the specific methods by which money laundering may occur in the art market, nor does it analyze the particular vulnerabilities of the sector (on these topics, see, e.g., U.S. DOT, Report; Hufnagel/King; Dagirmanjian; Turner; Cassani/Henninger).

II.   Money Laundering Prevention

In addressing the fight against money laundering, it is essential to focus on the so-called preventive rules — those designed to preclude money laundering activities, irrespective of whether a specific instance of money laundering has occurred. These rules require regulated entities to implement internal procedures aimed at preventing money laundering offenses. Two primary categories of measures must be adopted:

  • Due Diligence Measures: These measures primarily involve gathering specific information as part of establishing and maintaining business relationships. This includes identifying the client, verifying the ultimate beneficial owner, and determining the origin of funds.
  • Reporting Obligations: When suspicious activities, including potential money laundering, are detected during the due diligence process, regulated entities are obligated to file a Suspicious Activity Report (SAR). Such reports must be submitted promptly to the respective national financial intelligence unit. In the United States, this unit is the Financial Crimes Enforcement Network (FinCEN), while in Switzerland, it is the Money Laundering Reporting Office Switzerland (MROS). These units analyze the reported information and decide whether the matter warrants escalation to law enforcement authorities for further investigation and potential prosecution.

Without delving into the specific content of these preventive rules, it is critical to identify the entities subject to these obligations to assess the extent of regulatory oversight in the art market in the United States (A) and Switzerland (B).

        A.   U.S. Law

On May 18, 2018, U.S. Congress Representative Luke Messer introduced a bill aimed at including art dealers in the fight against money laundering under the Bank Secrecy Act (BSA) (Turner). Although the bill ultimately failed to pass, Congress later amended the BSA to include the antiquities market within the scope of AML regulations (Turner). On January 1, 2021, the U.S. Congress enacted the Anti-Money Laundering Act of 2020 as part of the William M. (Mac) Thornberry National Defense Authorization Act for Fiscal Year 2021 (NDAA) (Pub. L. No. 116-283). This legislation introduced new provisions under Section 6110 of the AML Act, subjecting the antiquities trade to AML/CTF requirements (U.S. DOT, Report).

Following this, the Department of the Treasury was tasked with evaluating whether AML/CTF regulations should be extended to the broader art market. This evaluation culminated in the aforementioned Treasury report (U.S. DOT, Report).

In parallel, another legislative initiative — the ENABLERS Act — was proposed in 2021, seeking to fully subject the art market to AML/CTF regulations. Although the bill passed in the House of Representatives, it failed to secure approval in the Senate (Turner).

For now, AML/CTF regulations in the United States remain applicable primarily to financial intermediaries, such as banks, and do not seem to impose obligations on art market participants (U.S. DOT, Report; Dagirmanjian; Turner). With the finalization of the implementing regulations pending (Center for Art Law, USA AML Regulation), this regulatory gap persists.

Nevertheless, art market actors may still encounter AML/CTF obligations. Specifically, any person engaged in a trade or business in the United States is required to file a report if they receive more than USD 10,000 in cash, coins, or certain monetary instruments, whether in a single transaction or in two or more related transactions (U.S. DOT, Report).

Despite this, such measures are barely sufficient. The art market and its participants remain largely unregulated with respect to money laundering and terrorist financing risks.

        B.   Swiss Law

Under The Swiss law, the regulatory framework is broadly similar to that of the United States. Preventive AML measures under the Anti-Money Laundering Act (AMLA) primarily apply to financial intermediaries, such as banks (Art. 2 AMLA). Art dealers are generally not classified as financial intermediaries and are therefore not directly subject to these preventive regulations (Cassani/Henninger; Kern).

In certain circumstances, art dealers may be considered financial intermediaries if they provide financial services — such as loans — under Art. 2 para. 3 AMLA. However, this classification applies only if the financial service is not connected to the execution of another principal contract (e.g., the sale of artworks). Otherwise, the activity falls outside the scope of the AMLA, as specified in Art. 3 let. f of the Anti-Money Laundering Ordinance (Cassani/Henninger). Consequently, Art Secured Lending activities do not necessarily fall within the scope of AML regulations in Switzerland, as they are generally tied to a principal contract (e.g., the sale of artworks) when carried out by an art dealer or an auction house (on this topic, see Tistounet).

Nonetheless, art dealers in Switzerland may fall within the scope of AMLA in specific circumstances — namely, when they accept cash payments exceeding CHF 100,000 as part of a transaction (Art. 8a para 1 AMLA). This threshold, however, is relatively high compared to similar regulations in other jurisdictions, including the United States.

As a consequence, the Swiss art market, like its U.S. counterpart, remains largely exempt from comprehensive regulations aimed at preventing money laundering or terrorist financing.

III.   Money Laundering Repression

In addition to preventive rules, most jurisdictions have also enacted measures to criminalize money laundering. These repressive regulations are designed to sanction individuals who actively engage in money laundering activities. Unlike preventive measures, these provisions are sector-agnostic and can, therefore, be applied to actors in the art market as well (Dagirmanjian; Cassani/Henninger).

To understand the scope and application of these measures, it is essential to briefly examine the legal frameworks in the United States (A.) and Switzerland (B.).

        A.   U.S. Law

In the United States, the Money Laundering Control Act (MLCA), codified under Sections 1956 and subsequent provisions of 18 U.S.C., criminalizes money laundering by categorizing such acts into four distinct types: promotional, concealment, structuring, and tax evasion (Dagirmanjian).

Some of these offenses may have direct implications for the art market and could expose actors within the sector to criminal liability (Dagirmanjian). Of particular relevance is Sec. 18 U.S.C. § 1957, which penalizes individuals who “knowingly engage in a monetary transaction involving more than USD 10,000 in criminally derived property.” This provision is especially significant in cases where illicitly obtained funds are used to purchase artworks (e.g., cash obtained from drug trafficking), thereby connecting money laundering to the art market.

        B.   Swiss Law

In Switzerland, unlike in the United States, money laundering is criminalized through a single offense. This is enshrined in Art. 305bis of the Swiss Criminal Code (SCC), which penalizes acts intended to conceal the illicit origin of assets. These acts may include traditional money laundering activities, such as using proceeds from drug trafficking to purchase artworks (Cassani/Henninger; Kern). The provision also extends to cases of “laundering of provenance,” where the objective is to give a lawful appearance to cultural goods looted abroad (on this topic, see Bastian).

Additionally, Swiss law establishes a related offense that only applies to financial intermediaries subject to due diligence obligations under the AMLA (e.g., banks). Under Art. 305ter, para 1 SCC, financial intermediaries may face criminal prosecution if they fail to properly identify the beneficial owner or knowingly provide false information about the beneficial owner in the context of a business relationship.

IV.   Conclusion

The American and Swiss systems currently exhibit significant similarities, as the art markets in both countries remain largely unregulated with respect to AML/CTF measures. Actors in the art market are not subject to preventive AML rules, despite international standards such as those outlined in the EU (Art. 3(3)(i) & (j) AMLR) or the recommendations of the FATF. Given the art market’s inherent vulnerability to money laundering, it may be time for both nations to adapt their regulatory frameworks.

In the United States, the FinCEN is progressing slowly but continues to evaluate the expansion of AML regulations to encompass the art market (Center for Art Law, USA AML Regulation). While some scholars advocate for such reforms (Dagirmanjian; Turner), others remain critical (Burroughs).

Similarly, in Switzerland, a parliamentary motion submitted in 2022 proposes extending the AMLA to include art dealers (Motion Pult CN 22.3104). Since October 2024, the motion is under review by a commission of the Council of States. This indicates that Swiss law could undergo reform in the coming years. Legal scholars have also addressed this issue, with a majority, including the author of this note, supporting the inclusion of art dealers under the AMLA (Roth; Cassani/Henninger; Kern). However, this view is also not without opposition (Ryser).

For the time being, self-regulation appears to be the only practical solution. Several recommendations have been issued by organizations such as the Basel Institute on Governance (Basel Art Trade AML Principles) and the Responsible Art Market (RAM) initiative (RAM AML Guidelines). However, the non-binding nature of these recommendations limits their effectiveness. They fail to create a level playing field among actors within the same sector or to ensure uniform rules. This lack of uniformity is unfortunate, as standardized regulations would significantly enhance international cooperation, a critical factor in combating money laundering.

Furthermore, none of these recommendations or ongoing parliamentary efforts seem to address the issue of Non-Fungible Tokens (NFTs). Despite their significant presence in the art market, NFTs present considerable vulnerabilities to money laundering (FATF, Report; Hufnagel/King; Bastian). The omission of this digital asset class underscores a critical gap in current regulatory initiatives. Within the EU, despite the adoption of the new AMLR, NFTs are likely not covered by these rules since they are not considered as crypto assets under the new MICA Regulation (art. 2 (1)(7) AMLR; consid. 10 MICAR; art. 2(3) MICAR). This situation is, however, likely to evolve as the European Commission is tasked with presenting, by December 30, 2024, a specific proposal to provide a legal framework addressing the issue of NFTs (ESMA).

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* Enzo BASTIAN is a doctoral candidate at the University of Lausanne (Switzerland). He is writing his doctoral dissertation on the topic of money laundering in the Swiss art market under the supervision of Professors Carlo Lombardini and Marc-André Renold. Holding a Master’s degree in law and a Certificate of Advanced Studies (CAS) in International Business Disputes from the same university, Enzo BASTIAN is the author of several contributions and insights in banking and financial law. In parallel, he is also a graduate assistant at the CEDIDAC of the University of Lausanne.

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Cultural Heritage Engraved in Blood: A Human Right Beyond Time

Editor’s Note: This article is part of a collaboration between the Harvard Art Law Organization and the Harvard International Law Journal.

*Sudiksha Dhungel

Abstract 

Cultural heritage is more than artifacts or traditions; it is the silent but profound testament to a community’s identity, struggles, and resilience. “Engraved in Blood” symbolizes the sacrifices made throughout history to preserve this legacy, often in the face of adversity. This article delves into the intricate relationship between cultural heritage and human rights.  It emphasizes the importance of recognizing cultural heritage as an inalienable human right and provides actionable solutions for its preservation. The findings highlight the socio-legal challenges that cultural heritage faces, from globalization and conflicts to cultural appropriation and neglect. Practical implementations proposed include policy reforms, increased community participation in heritage conservation, and the integration of educational initiatives to foster awareness and engagement in its protection. While focusing on the Indian socio-legal context, the research reflects on the delicate balance between modernization and heritage preservation, along with the evolving legal frameworks addressing these issues. Socially, this paper advocates for enhanced recognition of cultural heritage role in shaping identities and fostering societal cohesion. Ultimately, the article envisions cultural heritage as a bridge between past and future, reflecting shared histories and collective aspirations.

Introduction 

Cultural heritage is not just a relic of the past but a living, breathing testament to human existence. It acts as a link between our ancestors, the present, and the future by encapsulating the tales, hardships, and triumphs of many generations. The threads that weave cultural history into the fabric of identity are increasingly in danger of fraying in a society that is modernizing at a rapid pace. “Engraved in Blood” reflects this profound struggle, representing the generations that fought—sometimes at tremendous personal cost—to preserve their cultural heritage. This essay investigates the complex relationship between cultural heritage and human rights, contending that heritage is not a privilege but an essential right. By addressing socio-legal issues and suggesting practical answers, it emphasises the critical necessity to conserve cultural heritage in an era of fast modernisation and globalisation.

This article seeks to explore the intricate interplay between cultural heritage and human rights, positing that heritage is not merely a privilege but an inalienable right. It analyzes the socio-legal difficulties that endanger cultural heritage and emphasizes the importance of protecting it in order to maintain societal cohesiveness and identity. With an emphasis on practical solutions, this article emphasizes the need for combining educational activities, policy reforms, and community involvement to maintain this precious legacy. The Indian socio-legal setting serves as a focal point, demonstrating the delicate balance between legacy preservation and modernity, with far-reaching consequences for global frameworks. Finally, this article hopes to motivate a community effort to acknowledge and advocate for the protection of cultural heritage as a fundamental human right.

Conceptual Framework

Cultural heritage, in its essence, embodies the legacy of a community, encapsulating both tangible and intangible elements that define its identity. Tangible cultural heritage refers to physical manifestations such as monuments, artifacts, historical buildings, and archaeological sites, which stand as enduring symbols of human creativity and historical significance.

On the other hand, intangible cultural heritage encompasses non-physical attributes, including traditions, oral histories, languages, rituals, and knowledge systems. These intangible aspects are vital as they carry the living traditions of a community, fostering a sense of continuity and connection across generations.      

Cultural heritage is closely tied to human rights, as protecting it ensures the fundamental right to participate in and enjoy one’s culture. Human rights instruments like the Universal Declaration of Human Rights (UDHR) and the International Covenant on Economic, Social and Cultural Rights (ICESCR) highlight cultural rights as vital for dignity and identity. Recognizing cultural heritage as a human right helps preserve unique identities and promotes a diverse global society. 

Cultural heritage shapes individual and collective identities, fostering belonging and societal cohesion. It connects the past with the present and strengthens intergenerational bonds, making it crucial in maintaining diversity and cross-cultural respect in an increasingly globalized world.

International conventions, like the United Nations Educational, Scientific and Cultural Organization (UNESCO) World Heritage Convention and national laws work to protect cultural heritage, but challenges remain in enforcement, adaptation, and addressing issues like cultural appropriation and neglect.

Socio-Legal Challenges to Cultural Heritage

Cultural heritage faces significant challenges in a globalized world. While globalization fosters connectivity, it also brings cultural homogenization, overshadowing unique traditions. Conflicts and wars exacerbate this issue, with cultural artifacts getting targeted and destroyed, as seen in- Syria and Iraq. Looting and trafficking further deprives nations of such history. These difficulties are not only cultural or legal; they exist at the crossroads of law and society, making them socio-legal in nature. The word “socio-legal” refers to how legal frameworks interact with cultural, social, and political realities, determining whether legacy is safeguarded or neglected. While laws may technically protect cultural sites and practices, their success is frequently dependent on enforcement, public awareness, and government priorities. 

Cultural appropriation and neglect are subtle yet harmful threats to  the preservation and authenticity of cultural heritage, as well as the cultural identity of the communities that maintain these traditions. Cultural appropriation occurs when components of a culture, such as traditional clothes, rituals, or art, are commodified or exploited without proper acknowledgement, resulting in the loss of their original value. For example, indigenous fashion designs and spiritual practices such as yoga are sometimes commercialized without regard for their origins. Neglect, on the other hand, results from a lack of priority, which causes cultural sites to deteriorate, languages to die, and traditional crafts to decline. Cases such as the fading away of Ainu language in Japan and the erosion of Harappan archeological sites show how neglect may destroy cultural identity over time. Additionally, neglect due to lack of prioritization leads to the deterioration of cultural sites.

The most complex challenge to cultural heritage conservation is balancing modernization with heritage preservation. Urbanization and technical improvements frequently collide with the urge to preserve cultural identity, as growing cities, infrastructure projects, and commercialization endanger heritage sites and traditional customs. Finding a balance between these competing goals necessitates creative solutions, such as using sustainable materials in restoration, utilizing modern tools like 3D scanning for documentation, and incorporating heritage conservation into urban planning. Inclusive planning guarantees that local people, historians, and policymakers all participate in decision-making, preventing cultural oblivion. Respect for the past entails recognizing the historical and cultural relevance of heritage places and traditions while assuring their preservation without jeopardizing authenticity. 

Enhanced Approaches to Cultural Heritage Preservation: Policy, Community, and Innovation

Policy Reforms for Stronger Legal Protections of Cultural Heritage
In order to ensure the safeguarding of cultural heritage, robust legal frameworks must be established, as existing safeguards are frequently undermining by lax enforcement, legal loopholes, and insufficient international cooperation. While the UNESCO conventions establish worldwide standards, they lack binding enforcement measures, allowing illicit trafficking and destruction to continue. National laws, such as India’s Antiquities and Art Treasures Act (1972), also face challenges due to inadequate monitoring and bureaucratic delays, resulting in continuous smuggling and uncontrolled development near heritage sites. These legal structures must be bolstered by stronger regulation, additional funding, and improved integration of community engagement in preservation activities. UNESCO agreements play an important role in encouraging governments to establish comprehensive policies, but without improved domestic implementation and international collaboration, cultural heritage is subject to exploitation and neglect. 

Community Participation in Preservation Initiatives
Cultural heritage preservation cannot succeed without the active involvement of local communities. By engaging the people who live within and around heritage sites, preservation efforts gain authenticity and relevance. Empowering local communities to take ownership of their cultural heritage helps ensure its protection for future generations. Numerous case studies have shown that community-led initiatives, such as the Luk Lan Muang Phrae project in Thailand, which revitalized traditional crafts through local engagement, and the Haida Gwaii Watchmen program in Canada, where indigenous stewards protect and educate visitors about sacred heritage sites, can resurrect long-forgotten practices.

Integration of Educational Programs to Raise Awareness about Cultural Heritage
One of the most effective ways to ensure long-term preservation is to cultivate an understanding and appreciation of cultural heritage among younger generations. Schools and universities can integrate heritage education into their curricula, helping students to value and protect cultural landmarks and practices. Public awareness campaigns also play a crucial role, providing platforms for discussions on the importance of preserving heritage in the face of rapid modernization.

Leveraging Technology to Document and Protect Heritage
In today’s digital age, technology serves as a powerful tool in heritage preservation. Digital documentation, including 3D scanning and virtual tours, allows for the preservation of cultural sites in their current form, mitigating the risks posed by natural disasters or urban development. Technologies such as Geographic Information Systems (GIS) are also used to map and monitor heritage sites, ensuring their continued protection.

A critical analysis of the Indian socio-legal framework for cultural heritage preservation. 

Historical Sacrifices Made to Protect Indian Cultural Heritage
Throughout India’s history, various communities have made immense sacrifices to protect their cultural heritage. The struggle to safeguard ancient temples, manuscripts, and rituals has been ongoing, often in the face of colonial exploitation and modern encroachment. Movements like the conservation of the Sanchi Stupa or the protection of Vedic manuscripts from looting demonstrate the resilience of Indian society in preserving its cultural identity.

Current Legal Frameworks and Their Limitations
While India has a robust set of legal protections for its cultural heritage, including the Ancient Monuments and Archaeological Sites and Remains Act (1958), enforcement remains a challenge. Issues such as bureaucracy, lack of funding, and insufficient penalties for violations have hampered the effectiveness of these laws. Furthermore, the complex legal structure often creates confusion about ownership and rights, which can result in exploitation or neglect of cultural assets.      

Case Studies Highlighting Successes and Challenges in Indian Heritage Preservation
One notable success is the protection of the Konark Sun Temple in Odisha, which was inscribed as a UNESCO World Heritage site. Through collaborative efforts between the state, local communities, and international experts, this site has been preserved. However, challenges remain, such as the ongoing threats to the Taj Mahal from environmental degradation and illegal construction around heritage sites. These cases illustrate the complex nature of cultural heritage preservation in India, where success often relies on collaboration and sustained efforts.

The Evolving Role of Indian Society in Preserving Cultural Heritage Amidst Modernization
As India continues to modernize, the tension between progress and preservation becomes more pronounced. Urbanization, industrialization, and the rise of global consumer culture pose significant risks to heritage preservation. However, there has been a growing recognition of the need to protect cultural heritage, with Indian society becoming increasingly involved in efforts to safeguard its history. Initiatives like the Indian National Trust for Art and Cultural Heritage (INTACH) have engaged the public in heritage conservation, ensuring that modernization does not come at the cost of cultural identity

Broader Social Implications of Cultural Heritage Preservation 

By reserving traditions, languages, and historical landmarks, societies pass on lessons embedded in their cultural identity-offering continuity in an ever-changing world. This sense of inheritance is vital for intergenerational equity, reminding us that the treasures we protect today are not merely relics but the legacy of tomorrow.

Moreover, cultural heritage serves as a powerful medium for cross-cultural understanding and global solidarity. In a world marked by increasing polarization, the appreciation of diverse traditions and practices fosters empathy, respect, and collaboration. Initiatives such as UNESCO’s World Heritage program exemplify how international cooperation can safeguard shared human history, strengthening the ties that bind us as a global community. However, this interconnectedness also places a moral obligation on societies. Preservation efforts must address social and ethical responsibilities by being inclusive and respectful of marginalized voices. These efforts require careful consideration of whose heritage is prioritized, how it is represented, and how to ensure its meaning is not diluted or exploited for commercial gain. Ultimately, cultural heritage preservation is not simply about protecting artifacts or sites, it is about honoring the values, identities, and histories they embody, ensuring that they continue to inspire future generations.

Recommendations and Future Directions

Preserving cultural heritage in a modernizing world requires bold and innovative steps. Strengthening laws and policies, both internationally and domestically, is essential. Treaties like the UNESCO Convention should be enforced more effectively, through more robust sanctions for infractions, enhanced international collaboration, and more stringent compliance monitoring. This would entail real-time monitoring of illegal trafficking networks, increased funding for heritage protection initiatives, and required reporting on conservation efforts. Furthermore, binding legal mechanisms that mandate signatory nations to act quickly to prevent encroachments, illicit trafficking, and the destruction of heritage sites could be implemented by UNESCO and national governments. To guarantee the ongoing preservation of cultural assets, governments must also strengthen sanctions, fill legislative loopholes, and enhance funding. 

Connecting people to their heritage is equally important. Schools can teach heritage studies, and community events like storytelling, heritage walks, and workshops can make preservation engaging and relevant. Digital tools like IoT (Internet of Things) frameworks, virtual reality tours, and online archives can monitor sites and bring heritage to a global audience.

Sustainability is key to ensure the long-term protection of cultural assets while tolerating modern development. Practices like adaptive reuse, eco-friendly restoration, and community-driven upkeep can balance conservation with modernization. Interdisciplinary collaboration between experts, policymakers, and communities can create innovative solutions for challenges like urban encroachment and climate change. By embracing technology, sustainability, and collective effort, we can ensure that cultural heritage thrives in today’s world and for generations to come. Additionally, virtual reality tours, 3D documentation, and online archives can engage a global audience while preserving sites at risk of destruction.

Conclusion

Cultural heritage is more than just a collection of artifacts, traditions, or landmarks; it is a bridge between the past and the future, forged in the sacrifices, struggles, and unwavering spirit of those who fought to protect it. Every monument restored, every ritual practiced, and every story passed down carries the echoes of resilience and defiance, reminding us that heritage is not merely inherited; it is preserved through the strength and resolve of those who came before us.

As we navigate the challenges of modernization, globalization, and climate change, we must embrace cultural heritage as an inalienable human right. Its preservation is a shared responsibility, requiring the united efforts of communities, policymakers, and individuals alike. By valuing heritage not just as a relic of history but as a living testament to identity and humanity, we ensure that its essence endures, binding generations, fostering understanding, and inspiring a collective future that honors the legacy of the past.

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*Sudiksha Dhungel is a law student with a keen interest in legal research, policy, and societal impact. Passionate about fostering intellectual discourse, she actively engages in academic writing, mooting, and initiatives that promote mental wellness, along with other meaningful discussions on contemporary legal issues. Committed to both scholarship and practical impact, she seeks to contribute to the evolving landscape of law and justice.

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The Claim For the Filandia Collection or Quimbaya Treasure of Colombia Against Spain

Editor’s Note: This article is part of a collaboration between the Harvard Art Law Organization and the Harvard International Law Journal.

Dr. Paloma Villarreal Suárez de Cepeda*

1. The Filandia Collection or Quimbaya Treasure

The Filandia Collection, also known as the Quimbaya Treasure, is an exceptional set of archaeological objects from pre-Hispanic tombs, discovered in 1891 near Filandia, Colombia by huaqueros or tomb looters. That same year, the Colombian government acquired the collection. The artifacts traveled to Spain in 1892 for exhibition during the commemoration of the Fourth Centenary of the Discovery of America. In May 1893, the Colombian government formally handed over the collection to Spain’s Queen Regent María Cristina in gratitude for her intervention in the border dispute between Colombia and Venezuela, which culminated in the adoption of the so-called, and still valid, Spanish Arbitration Award, or the Award in the Boundary Dispute Between the Republic of Colombia and the United States of Venezuela.

The 122 archaeological pieces that make up this extraordinary collection are currently preserved and exhibited in the Museum of America in Madrid.

2. Request by the Colombian Constitutional Court

In 2017, the Colombian Constitutional Court ruled that the act of handing over the Filandia  Collection must be examined based on the current Article 72 of the 1991 Colombian  Constitution rather than the international law in force at the time (the principle of contemporaneity, which refers to interpreting a legal act based on the law applicable at the time it was created). Article 72 classifies the collection as cultural heritage, rendering it inalienable, non-seizable, and imperishable (doctrine of “inter-temporal” law, which addresses the application of current law to past acts or events). The Court ordered the relevant authorities to undertake all necessary diplomatic, administrative, legal, and economic measures with Spain to achieve its repatriation.

From the perspective of current international law, the Court acknowledged that various dispute resolution mechanisms exist, such as bilateral agreements, good offices, mediation, and conciliation, among others. In its view, these diplomatic mechanisms offer the following advantages: first, the dispute can be resolved outside the framework of international treaties.  Second, any solution reached would be implemented in good faith.

After the current Spanish Government rejected an informal request for the collection’s return by the Quindío Academy of History in 2022, a formal restitution request was submitted to the Government of Spain on May 9, 2024. The Colombian Government sent formal letters to the Minister of Foreign Affairs, European Union, and Cooperation of Spain, as well as to the Minister of Culture, requesting the “recovery” of the Filandia Collection. On December 5, the Ministry of Cultures, Arts, and Knowledge, along with the Ministry of Foreign Affairs, announced the dispatch of a second letter.

3. Spanish Regulations

3.1 Domestic Law

Article 1 of the Spanish Historical Heritage Act, applicable throughout Spain’s national territory, defines Spanish historical heritage as the collection of immovable and movable property of artistic, historical, paleontological, archaeological, ethnographic, scientific, or technical interest. It also includes documentary and bibliographic heritage, archaeological sites and zones, as well as natural sites, gardens, and parks of artistic, historical, or anthropological value. The law aims to protect, enhance, and transmit this heritage to future generations.

Article 2.1 of the law states that, “without prejudice to the competencies of other public authorities, the essential duties and powers of the State Administration are to ensure the conservation of Spanish Historical Heritage and to promote its enrichment. The State will protect such assets from illicit exportation and looting.”

A key form of protecting exceptional heritage is its classification as a Cultural Interest Asset, commonly referred to as BIC (“Bien de Interés Cultural”). BIC status can be granted either ex lege or through an individualized administrative declaration via Royal Decree. Additionally, Article 27 establishes that collections held in Spanish museums are automatically considered BIC. The declaration of BIC status prohibits the exportation of such assets, except for temporary removals, typically linked to their exhibition in foreign museum institutions under loan agreements that promote the exchange of objects for purely cultural or educational purposes.

The only lawful possibility for the permanent removal of a BIC belonging to Spanish Historical Heritage from the national territory, thereby resulting in its definitive loss, is through an exchange (“permuta”). Article 34 of the Spanish Historical Heritage Act stipulates:

“The Government may negotiate with other states the exchange of state-owned movable assets belonging to Spanish Historical Heritage for others of at least equal value and historical significance. Approval will require a favorable report from the Royal Academies of History and Fine Arts of San Fernando and the Qualification, Valuation, and Export Board for Spanish Historical Heritage Assets.”

The only exchange carried out in accordance with the requirements of this article took place in 2010 under the government of José Luis Rodríguez Zapatero and the Spanish Socialist Workers’ Party. Spain handed over to Mexico a flag preserved in the Army Museum, which had been taken from the troops of Priest Hidalgo at the Calderón Bridge in 1811, and in return, received a Coronela flag from the King Ferdinand Battalion, preserved in the Chapultepec Museum, originating from the Battle of Tampico in 1829.

As a BIC, the Filandia Collection cannot currently be legally delivered to Colombia except through the aforementioned exchange mechanism.

3.2 International Law

Public International Law, so named by analogy to national law, is fundamentally different from its national counterpart, as it lacks a centralized authority, such as a state, to justify its use as a mechanism for conflict resolution through force.

Whether the agreements reached by states or other subjects of international law, such as international organizations like the United Nations, will be honored depends on the political will of each party. These parties assess the risks of not fulfilling commitments based on the criteria of expediency and the capacity to defend against possible reprisals from third states.

Agreements can take various forms, but only those treaties intended to produce legal effects— creating rights and obligations between the parties—are formally binding. Therefore, agreements or instruments that generate only political commitments, such as gentlemen’s agreements, joint communiqués, declarations of principles, or memoranda of understanding, are not considered international treaties.

In Spain, constitutional norms and the Law  25/2014 of November 27 on Treaties and Other International Agreements  govern the valid conclusion of such agreements. This law differentiates between international treaties, administrative international agreements, and non-regulatory international agreements. The latter is defined in Article 2(c) as:

“An international agreement that does not constitute a treaty or an administrative international agreement, concluded by the State, the Government, bodies, agencies, and entities of the General State Administration, Autonomous Communities and Cities of Ceuta and Melilla, Local Entities, public universities, and any other public-law entities with competence to do so.  These agreements contain declarations of intent or establish political, technical, or logistical commitments and do not constitute a source of international obligations nor are governed by international law.”

These are mere political commitments, declarations of intent, or non-legal coordination agreements. Such agreements are not subject to the procedures required for treaties and are not published in the Official State Gazette.

The current Spanish Minister of Culture, a career diplomat, has noted in the context of  Colombia’s claim that Spain is obliged to undertake a “decolonizing” review of its museums  based on agreements or best practices from the ICOM (“International Council of Museums”), the UNESCO World Conference on Cultural Policies and Sustainable Development (Mondiacult), and the 10th Ibero-American  Museum Meeting of 2022. The Minister has cited these frameworks to support the need for such a review.

The most recent Mondiacult summit took place in 2022 in Mexico and concluded with a  Declaration that makes no mention of “decolonization” or “colonial” issues. Likewise, the  Conference Report published by the Mexican Government does not use these terms.

The 10th Ibero-American Museum Meeting of 2022, held simultaneously with the Conference, resulted in a final Declaration in which the “representatives” of Ibero-American countries  proposed and promoted reflection and commitment to incorporating a “decolonial perspective in museum institutions and processes.” Other commitments included incorporating a culture of peace in museums, addressing gender perspectives, climate emergencies, combating racism and xenophobia, and emphasizing solidarity-based values of ancestral knowledge and practices.

However, the list of recommendations does not mention the “decolonization” of museums, but instead includes more general concepts, such as strengthening funding, combating illicit trafficking, promoting digitalization, enhancing the educational role of museums, and so on. In any case, the representatives who signed this Declaration primarily hold management rather than political positions, which means they lack the authority or legitimacy to assume obligations on behalf of their respective countries.

4. Conclusion

The Filandia Collection consists of relics—material remains produced by deceased individuals that are part of our present moment and tied directly to our history. Relics by themselves explain nothing; they always require a narrative to endow them with meaning. Relics and narratives, therefore, are the foundational materials that nourish history as an academic discipline, allowing people to study the actions of others long deceased while generating new narratives in the process.

Thus, it can be said that the international conflict surrounding these relics is closely tied to the history of both Spain and Colombia, but is necessarily political as well, given that history is a discipline capable of guiding the future of a political society. In the case of the Filandia Collection, Colombia seeks to “know itself” or “understand its identity” through relics from the pre-Columbian period, aiming to distance itself from its Hispanic heritage.

Although the collection was handed over in the late 19th century as a gesture of gratitude for Spain’s mediation in the conflict with Venezuela, the current Colombian government, along with Spain’s current Minister of Culture, seek to seize the opportunity offered by the decolonization movement. If this movement affects any European nation, it would not necessarily be limited to Spain but will likely extend to other nations such as Britain, France, the Netherlands, and Belgium.

Opposing this political trend, however, is the solid defense of Spanish legislation, which may or may not prove insurmountable depending on the current government’s ability to pass legislative amendments. Such amendments would replace the existing regulations that limit the government’s ability to act by requiring the approval of independent institutions in the case of an exchange. There is always the possibility that these amendments could aim to give the government free rein to act as it sees fit within a future “decolonization” framework.

In any case, the current Colombian government finds itself in the best position to secure the return of the Filandia collection from Spain. This opportunity arises not only from Colombia’s determined efforts to reclaim its “pre-Columbian heritage” as a means of redefining its national identity but also from Spain’s internal political fragmentation. Colombia’s strength contrasts sharply with Spain’s weakened position in reclaiming its own political losses, such as the spoils of Napoleonic looting from France.

The fate of the Filandia Collection highlights the complex relationship between history, politics, and philosophy, as the idea of identity is a philosophical idea. It emphasizes how relics, far from being static artifacts, are dynamic symbols that all nations mobilize to shape the present and future. The resolution of this conflict will serve as a case study in how the decolonization movement continues to challenge historical narratives and power balance.

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Dr. Paloma holds a PhD in Law and divides her teaching activity between training future lawyers and teaching the Master’s Degree in Legal Practice, specializing in Art Law. She is the lead lecturer for the Legal Aspects of Trade in Artistic and Collectible Goods course in the Master’s Degree in Art Markets, as well as the Master’s Degree in Archaeological and Museum Projects, both at UDIMA.

Cover image credit 

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